Word: layers
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...There's a distinction being made here that's worth scrutinizing. The "subjective retelling" defense invokes the double layer of distortion that's inevitable in any memoir: events are filtered through the author's memory, and then they're fuzzed even further by the inherently impressionistic nature of any literary medium. Short of the unexpected appearance of a Recording Angel, there isn't much a memoirist can do to pull aside that two-ply veil. But before we get lost in an epistemological fog, let's not forget that those distortions must be kept separate from the wilful deceptions...
...their first meeting, the chairs said the divisional deans “tend to insert an additional layer for chairs to work through, without providing power and help of their own,” according to the Sept. 15 minutes. “[T]here is a good deal of inconsistency and confusion about the roles of the divisional deans across the different divisions,” the minutes continue...
...unconventional use of the umbrellas injects a layer of inventive visual interpretation into the entire production. While holed up in his room, Berenger receives a threatening phone call from the rhinoceroses—there is no sound, but the audience watches with trepidation as he frantically unscrews the receiver to reveal a miniature red umbrella within the phone. In the chilling final set, hundreds of umbrellas, motionless and silent, provide an unsettling backdrop for Berenger’s anguished cries...
...once flashy city has become drab. The grass and trees, marinated for weeks in saltwater, are a dreary gray-brown. Parking lots look like drought-starved lake beds, with cracks in the mud. Within a few hours, anyone working outside is covered in a fine layer of grit. The trees that gave New Orleans such character--the centuries-old live oaks with their grand canopies and graceful lines--are toppled, exposing huge root balls 10 ft. or more in diameter. It's all the more surreal because the Garden District, which survived the flood, is lush and beautiful once again...
...brand-new digital cinema system, a combination of high-tech projector and computer server that could one day kick celluloid out of the projection booth for good. The old mechanism ran 3,600 m of delicate 35-mm film through a series of giant reels. Every screening added another layer of blips and blotches to the film. The new system plays the movie from the server at the touch of a button. And because the film is not on film - it's stored as a digital data file instead of being printed on strips of celluloid - the quality never degrades...