Search Details

Word: layings (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
Sort By: most recent first (reverse)


Usage:

...intermittently fluctuating is to ignore the dynamics of technological unemployment in America. Moreover, it is not only the jobless who suffer. People in mills and factories and offices throughout the country today live in fear that their seniority may soon be insufficient to save their jobs when the next lay-off comes...

Author: NO WRITER ATTRIBUTED | Title: Toward Full Employment | 3/22/1963 | See Source »

...creating jobs while it obviates them. Nor will railroad jobs be opening up twenty years hence. The fact is that automation renders certain jobs and skills extraneous, and just a handful of growth industries (chemicals, electronics, book publishing) are expanding at a rate broad enough to offset the modernization lay-offs...

Author: NO WRITER ATTRIBUTED | Title: Toward Full Employment | 3/22/1963 | See Source »

Bessie Goldberg, 62, wife of a real estate man, lay on the living-room floor of her Dutch-colonial home in Belmont, a well-to-do Boston suburb. Around her neck was a nylon stocking that had been stripped from her left leg. She was dead. Headlined the Boston Herald: HOUSEWIFE TENTH STRANGLE VICTIM...

Author: /time Magazine | Title: Crime: The Phantom Strangler | 3/22/1963 | See Source »

...lay: the Right Rev. Arthur Lichtenberger, 63, Presiding Bishop of the Protestant Episcopal Church, with Parkinson's disease, continuing in office on a severely limited schedule of appointments and public speeches; Bette Davis, 54. 1963 Oscar nominee, confined to her room at Manhattan's Hotel Plaza, battling flu; Ted Weems, 62. bandleader, on the critical list after an emergency tracheotomy to aid breathing (tentative diagnosis: stroke), at Hillcrest Medical Center, Tulsa...

Author: /time Magazine | Title: People: Mar. 22, 1963 | 3/22/1963 | See Source »

Working with an Italian libretto supplied by a former pupil, Ferrari Trecate had his three-act opera written within a year. But after one quiet 1953 performance in Parma, it lay forgotten until Rome decided to produce it again. Its minor-key Italianate melodies, skillfully woven into choral passages that hint of Negro spirituals, are warm and rich in legato beauty, completely devoid of any modernisms, reminiscent of Puccini. The first-night audience in Rome greeted it with 20 curtain calls, and Roman critics pronounced it good enough for the regular repertory...

Author: /time Magazine | Title: Music: La Coponna dello Zio Tom | 3/22/1963 | See Source »

Previous | 250 | 251 | 252 | 253 | 254 | 255 | 256 | 257 | 258 | 259 | 260 | 261 | 262 | 263 | 264 | 265 | 266 | 267 | 268 | 269 | 270 | Next