Word: layout
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...which was cool and quiet as a tomb. "And this," he continued, sliding out a drawer, "is absolutely priceless." The item at hand was a map, faded so much that to take it in entire one had to squint. Drawn in 1791, it was Pierre L'Enfant's original layout of Washington. And here and there on the document, bleached so faint by time that the eye could not make out the words, were criticisms scribbled by the era's most brilliant fussbudget, Thomas Jefferson...
...department, is thought to have worked as a control for other East German agents. One of those may have been Betzing. A onetime air-condition- ing repairman at the government's secret wartime operations bunker in the Ahr valley near Bonn, he would have had access to the layout and operations of the facility...
Muller is one of more than 60 foreign-born staff members from 29 countries as far-flung as Australia and Bolivia, Germany and Viet Nam. Among the earliest of these new arrivals to America are Assistant Art Director Arturo Cazeneuve, from Argentina, and Layout Chief Burjor Nargolwala, from India. Both became U.S. citizens while serving in the Army during World War II. Time Inc. Editor in Chief Henry Grunwald, who contributed a two-page Essay to the issue, came from Austria in 1940 by way of France, Morocco and Portugal. Assistant Managing Editor John Elson was born in Vancouver...
Many others were displaced by World War II. Deputy Chief of Correspondents William Mader left Hungary in 1944. Layout Artist Modris Ramans fled Latvia in 1945, the same year Reporter-Researcher Victoria Sales left the German- occupied city of Danzig, where she was born. Copy Processing's Lily Eszterag and Reporter-Researcher Ursula Nadasdy de Gallo fled Hungary after Soviet troops crushed the 1956 revolution. A different upheaval, this one in Cuba, brought Reporter-Researcher Nelida Gonzalez-Alfonso to the U.S. in 1959, followed by Copy Processing's Osmar Escalona and Raquel Prieto and Reporter- Researcher Cristina Garcia...
...produce an appropriate symbol for a TIME project, Holmes tries to mesh the emblem with the major illustrations of the layout. One of his favorites was a drawing of a finger poised over a red button, which was used in a 1982 cover story about fears of nuclear war. The impact was enhanced by a large facing photograph of a mushroom cloud. "It is often helpful to get a play between two things," says Holmes. "When TIME did a September 1983 cover on the downed Korean airliner, we used the Communist hammer-and-sickle symbol, with the plane...