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...design is neither an intellectual nor a material affair, but simply an integral part of life" (Walter Gropius). And growing from these ideas of incorporation of art in life, came "an architecture whose function is clearly recognizable in the relation of its form" (Gropius). Constructivist experiments in typography and layout led to Bauhaus block lettering. Non-objective paintings-Malevitch's Suprematist black squares on white backgrounds, and white on white, or black on black-led to Bauhaus organization and simplication with triangle, square and circle as primary constituents...

Author: By Meredith A. Palmer, | Title: Construct, In Russian, Doesn't Mean Carving Soap | 2/10/1971 | See Source »

...planned, and is guaranteed, to cut up any tutor's rump. But hopefully, your tutor and you will read it before you flush it. To incite you, the Advocate now offers provocative visual and psychic stimulation-prose, poetry, drawings and photographs from within Harvard. The Advocate 's new layout and design format was introduced to bring readers some pleasure and to attract writers to submit their work and publish in the next issue, in April. Can you really, in good conscience, turn down this offer? You shit on the Advocate now, soon you'll want to spit on a Candy...

Author: NO WRITER ATTRIBUTED | Title: Literature The Advocate | 1/27/1971 | See Source »

...principal," he recalls. "The principal said, 'What's to become of you?' and I said, 'Well, I'm going to be a sports cartoonist.' " He learned lettering as a department store artist, and after an apprenticeship of cleaning paste pots and doing layout retouching for various newspapers became a semiregular cartoonist for the sports section of the old Los Angeles Herald. The New York World-Telegram hired him in 1935, and for three decades thereafter his cartoons dominated its lead sports page six days a week...

Author: /time Magazine | Title: The Press: Disappearing, Inch by Inch | 1/25/1971 | See Source »

...small professional speakers' bureau, to help some neighborhood children. It now operates with a staff of eight (unpaid except for soda pop and snack expenses), a waiting list of 23 and a mandatory retirement age of 16. Edwards and his wife Janie keep their editing and layout help to a minimum. The strength of the paper is derived from Article Four of the Hoot Owl rules: "When writing: If it's wrong, say so. When it's right, congratulate. When no one cares, change things. Don't follow examples, be one." The area around Arlington...

Author: /time Magazine | Title: The Press: For, About and By Kids | 1/25/1971 | See Source »

Moreau hates the cold, so she decided to do a ski-fashion layout as a photographic comic book, shot in a studio. She commissioned Playwright Françoise Dorin to write the scenario and got Actor Jean-Louis Trintignant and Actress Nathalie Delon (Alain's ex) to ham it up while modeling the necessary ski clothes. To caption 21 displays of Christmas-gift ideas, Moreau wrote poetry, which is reproduced in her own handwriting and reveals a whimsical side of the serious seductress...

Author: /time Magazine | Title: The Press: Vogue | 12/28/1970 | See Source »

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