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...garment constructed of yellow "Do Not Cross" tape by Erica Waddell '03 and the three untitled 9" x 12" photographs of a dirty wall, a puddle and a beach taken from unexpected angles by Shannon Stackhouse '00 (including "Untitled," the black-and-white print shown to the right), the layout of the works seemed to be somewhat haphazard, taking away from their individual effects. However, the free sushi and a strong performance by the undergraduate band Filament attracted many leaving the VES thesis exhibition

Author: By Thalia S. Field, CRIMSON STAFF WRITER | Title: Bam at the Adams House Art Space | 5/19/2000 | See Source »

...what haunts me equally about Nachtwey's work is how strikingly beautiful all these photographs are, and I'm not talking about beauty in some sick voyeuristic sense. The book itself is huge and heavy, with thick paper stock and stylish layout. Moreover, the photographs are finely printed and composed with an infallible eye for human misery: few of us could ever imagine the horrors that Nachtwey's subjects have seen, but he is a virtuoso at evoking pity. The line between a bad photographer and a good photographer of these horrors is drawn where the photographs stop making...

Author: By Graeme Wood, CRIMSON STAFF WRITER | Title: Nachtwey Shoots the Dead | 5/19/2000 | See Source »

...Dorchester, south of Highgrove. The houses--220 so far, with an additional 2,280 planned--are not identical but come in different sizes and styles that pay homage to traditional English architecture and materials. Some are privately owned, others government subsidized. All are highly energy efficient. The town layout prefers people over cars: front doors give onto streets that are safer for children because the roads are too winding to allow cars to speed. A 1998 British government report cited Poundbury as an example for future developments because its efficient use of space permits a higher population density, thus fighting...

Author: /time Magazine | Title: A Princely Pioneer | 4/26/2000 | See Source »

...Industry Standard is already living up to its moniker. Based in San Francisco and owned by Boston computer trade publisher IDG, the Standard set out in April 1998 to grab Internet business readers by appropriating the authority of a newsweekly--right down to the red banner and text-heavy layout. Says former design director Daniel Carter: "We wanted to come out and sound like we knew what we were talking about...

Author: /time Magazine | Title: On the Dotcom Beat | 2/28/2000 | See Source »

...some of the trials experienced in recent months by Kate Betts, 35, the newly installed editor in chief at Harper's Bazaar. Since September, when she assumed stewardship of the country's oldest fashion glossy, Betts has been plotting its complete redesign, transforming everything from the magazine's layout to its logo--replacing the elegant typeface with bold lettering that she hopes reflects a more youthful orientation. Formerly the fashion news director at Vogue, she succeeds Liz Tilberis, a beloved editor who died from ovarian cancer last April. Betts inherited a magazine that, despite earning praise for its sleek aesthetic...

Author: /time Magazine | Title: Taking It to The Street | 1/24/2000 | See Source »

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