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Word: layton (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

DEAR WORLD. Plays converted into musicals have a high disaster ratio, and this one, from Jean Giraudoux's The Madwoman of Chaillot, is no exception. Angela Lansbury, looking like a ruefully unkempt Colette, is excellent as the madwoman, but the Jerry Herman score is disappointing and Joe Layton's choreography is mediocre...

Author: /time Magazine | Title: Television: Mar. 14, 1969 | 3/14/1969 | See Source »

...converted into musicals have a high disaster ratio, and this one, from Jean Giraudoux's The Mad woman of Chaillot, is no exception to the rule. Angela Lansbury, looking like a ruefully unkempt Colette, is excellent as the madwoman, but the Jerry Herman score is disappointing and Joe Layton's choreography is mediocre...

Author: /time Magazine | Title: Television: Mar. 7, 1969 | 3/7/1969 | See Source »

...whatever pretext, has become distinctly ominous. As a one-madwoman salvage operation, Angela Lansbury saves her reputation if not the show. Looking like a ruefully unkempt Colette, she croons, chortles, and cavorts about The stage with a certain raffish gallantry. The Jerry Herman score is zero, and Choreographer Joe Layton, who once staged dances of tepid promise, has now ascended to scalding mediocrity...

Author: /time Magazine | Title: Theater: Stop the World | 2/14/1969 | See Source »

...very next day, the show's producer and authors started to rewrite the show, practically from scratch. Within a week, the director, Peter Glenville, had been replaced (by Joe Layton). Within a month, a whole new first act was on stage. This is no small job, considering the complexities of putting together a Broadway musical...

Author: By Frank Rich, | Title: Doing It 'On the Road' . . . to Broadway, that is | 2/7/1969 | See Source »

Besides the new dialogue, there are the new songs, the new dances, and, for Dear World, the new sets. Not only must each new song be composed and learned by the performers, but it must be orchestrated, copied into parts, and rehearsed by the orchestra. Joe Layton, the new director, also took over the job of choreographer, thereby necessitating the removal of all the dancing devised by the show's original choreographer, Donald Saddler. So, Layton had to divide his limited time between rehearsing the actors and the dancers. He also had to wait for the new sets...

Author: By Frank Rich, | Title: Doing It 'On the Road' . . . to Broadway, that is | 2/7/1969 | See Source »

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