Word: le
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Dates: during 1930-1939
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After seven long years of watching French politics from Belgium, the Bourbon Pretender to the throne of France, six-foot, curly-whiskered Monseigneur Le Duc de Guise, decided last week that things were at last going badly enough for him to issue his first public appeal for restoration...
Royalist Manifesto. With Paris editors predicting that "the Daladier Cabinet may last three months-or three days," Monseigneur Le Duc de Guise, who would be King Jean III of France if enthroned, manifestoed as follows from his Manoir d' Anjou near Brussels...
...right because her voice was too small and who was persuaded to make her cinema début in this picture because she has pretty legs and can tap dance. Ruby Keeler's utter inability to act is far more appropriate to her rôle than any feigned incompetence could possibly be. It gives Forty-Second Street a charm which the efforts of the rest of the cast-George Brent, Guy Kibbee, Dick Powell and Warner Baxter (as a nerve-ridden musicomedy director)-fail to provide. Good shot: Ruby Keeler drawling her consent when the juvenile...
...annual concert of the Club at Milton Academy on February 17 will contain the following selections: two choruses from "Princess Ida," by Gilbert and Sullivan; Vittoria's "Ave Maria"; "J'Entends le Moulin," a French-Canadian folk song: "The Camels Are Coming"; "Salvation Belongeth To Our Lord," by Tsegesnakoff; the "Cavalier's Song," by Sanford' two choruses from "Orpheus," by Glueck; "Firefiles" and "At Father's Door," two Russian folk songs; "Secret Nock," by Brahms; and "Let Their Celestial Concerts All Unite," by Handel...
Purpose of the Film Society is to show to a limited group of members, who pay $12 a year to see ten Sunday evening performances, cinemas of esthetic merit which, because of censors or lack of popular appeal, are not exhibited in commercial cinemansions. Sponsors include George Gershwin, Eva Le Gallienne, Leopold Stokowski, John Dos Passos, Sherwood Anderson, Norman Bel Geddes, Nelson Rockefeller. Organized not for profit but for "the study, research and development of film art." the Society initiated a trend which is the cinema equivalent of the Little Theatre movement. Already it has a lusty rival: the Film...