Word: le
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Dates: during 1940-1949
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Last week the Trois-Rivières Junior Chamber of Commerce denounced the ban on mixed bathing. Le Nouvelliste, ardent supporter of the church, assailed "the thoughtlessness of demoniac youth." The Knights of Columbus, the Catholic Centre, the Saint Jean Baptiste Society and the Society of Nocturnal Adoration all rallied to the bishop, ignored the fact that when the Archbishop of Quebec, Monsignor Maurice Roy, was Bishop of Trois-Rivières, he held that mixed bathing was none of the church's business...
Candles at the Altar. Arrigo Boito, excitable and fiercely mustachioed, was the son of an Italian painter of miniatures who abandoned his family soon after Ar-rigo's birth. His mother, a Polish countess, set him studying to become a musician. At 19, his cantata Le Sorelle d'Italia won him a traveling scholarship. On his way home from Paris he traveled through Poland and Germany and picked up some heretical ideas that soon got him in hot water at home. Sample: he wrote a poem calling for a composer who could restore the glory of Italian music...
...become almost as solid a cliché, in American romantic kidding, as Mae West's "Come up and see me some time" used to be. The Casbah owes its popularity to Detective Ashelbe's tried & true romantic tale about the French super-crook Pépé le Moko (Tony Martin), who just sneers at the cops as long as he keeps to the native quarter of Algiers, but doesn't dare venture outside. It is also the story of a plainclothesman (Peter Lorre) who languidly bides his time; of a native girl (Yvonne de Carlo), weighed...
This was good reliable fun when Jean Gabin starred in it (Pépé le Moko, 1937) and when Charles Boyer and Hedy Lamarr adorned it (Algiers, 1938); it is good fun still. The older versions were slicker moviemaking but took this likable trash more seriously than it is worth. The new version has just about the right easygoing attitude. Peter Lorre can always be counted on. Tony Martin and Yvonne de Carlo, who have never before seemed entirely human, are simple, likable, even believable. Neatest measure of John Berry's sensible directing: the leads...
...characters in several of his books, always as a devoted friend, with a long-suffering piety and a love of God that Gide sometimes found irritating. Em, as Gid e refers to her, is an off-stage character in the Journals. Critic Georges Lemaitre says of Emmanueéle that "when she came to understand his moral perversity, she shrank from him and 'took refuge in God.'" The Journals prove that she had unusual endurance. She died in 1938. On the last page of his autobiography Gide wrote: "A fatality led me ... It was the marriage of Heaven...