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...Lea J. Hachigian ’12, a Crimson editorial writer, is a neurobiology concentrator in Leverett House...

Author: By Lea J. Hachigian | Title: California Dreaming | 4/7/2010 | See Source »

...editorial comment “Risky Business,” Lea J. Hachigian argues that much of today’s gender gap in salary levels and other areas is the result of “the failure of females to seek out and take necessary risks.” The solution, she argues, is to change our expectations of girls’ behavior in childhood in order to encourage them to grow into brave, risk-taking adult women (who aren’t afraid to ask for a raise). While changing societal expectations about girls’ capabilities...

Author: By GINA HELFRICH | Title: LETTERS: Cautioned by Society | 3/12/2010 | See Source »

...Lea J. Hachigian ’12, a Crimson editorial editor, is a neurobiology concentrator in Leverett House...

Author: By Lea J. Hachigian | Title: Risky Business | 2/24/2010 | See Source »

...literal re-creation of the pop appeal of Idol (just like Idol's, Glee's songs fly to the top of iTunes on a weekly basis). And it's also a critique of the American Idol culture that made it possible. In the words of Rachel (Lea Michele), "Nowadays, being anonymous is worse than being poor...

Author: /time Magazine | Title: Reality TV at 10: How It's Changed Television — and Us | 2/22/2010 | See Source »

...both make it their own and skip the Liza impression. Chenoweth nails it, of course. The song’s perfect for her character, and she plays it effortless, funny, and sympathetic. Rachel cleverly turns the optimistic song on its head, making it about unraveling desperation. But while actress Lea Michele hits the notes beautifully, she just doesn’t leave herself quite enough room to act, coming across more shell-shocked than dejected...

Author: By Luis Urbina | Title: Recap: "The Rhodes Not Taken" | 10/2/2009 | See Source »

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