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Word: leads (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

Taking a Marxist-Leninist line borrowed from the Progressive Labor Party, the Worker-Student Alliance insists that students subordinate themselves to workers as the vanguard of the revolution. Though W.S.A. thinks that Negro laborers will ultimately lead the movement, it hedges on the primacy of black workers at the start. As a result, the other factions label W.S.A. racist. In turn, W.S.A. criticizes the rest of S.D.S. for looking down on workers and existing labor organizations...

Author: /time Magazine | Title: Education: Hard Times for S.D.S. | 11/28/1969 | See Source »

Spiro Agnew threatened to censor the mass media Harvard's Department of Athletics took the lead last weekend by twice censoring the Harvard University Band's halftime show...

Author: NO WRITER ATTRIBUTED | Title: Band Formation Censored Twice | 11/26/1969 | See Source »

...petitioners," however, Pipp Marshall Boyls and Thomas H. Stanton of the Bevins Law Club, charged that this "skepticism" was not sufficient to repudiate their client's "sincere exercise." and answered Marshall's claim that acquittal might inevitably lead to "The New Brotherhood of the Poppy...

Author: NO WRITER ATTRIBUTED | Title: Marshall Denies Right To Worship Marijuana In Mock Court Case | 11/26/1969 | See Source »

...stared at Brautigan. Brautigan stared at the crowd. Both laughed. After it was clear that no one was going anywhere, Brautigan sat down to get good and smashed while some of his friends read poems (his and theirs). Brautigan came back to the mike every now and then to lead the festivities. The same poem was read by about twenty people for an experiment in sound, and five or six distinct poems, not twenty, was the result...

Author: By Jeffrey S. Golden, | Title: Richard Brautigan On Saturday Night | 11/26/1969 | See Source »

...possible to get all that and good urban design too. For example, the Prudential Center didn't have to cloister itself on its side of Boylston Street. Set far back from the sidewalk, it destroys the street front which is crucial to Back Bay. The escalators which presumably lead into it are no substitute for store fronts and other visual and physical openings. Also, the whole development is on such a huge scale, with those long blocks of straight concrete that it really has nothing to do with Back Bay or Boston...

Author: By Deborah R. Waroff, | Title: Back Bay The City as Art | 11/25/1969 | See Source »

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