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Where, oh where is my Godzilla? What have they done to him? In the newest movie [CINEMA, May 25], gone are the chubby legs, large round feet and maple-leaf spikes on his spine. Moviemakers have taken away his personality. Remember when he would jump up and down with glee after beating his enemies? He was always there to fight the bad monsters. At the end of one movie, a small boy waved farewell, plaintively calling, "Godzilla. Thanks a lot." The beast acknowledged him in a silent goodbye. It touched my heart. And in Godzilla 85, when the beast...

Author: /time Magazine | Title: Letters: Jun. 15, 1998 | 6/15/1998 | See Source »

Nearly 95% of the lizard's effects were created through computer graphics, and Tatopoulos' creature shop was twice the size of Jurassic Park's. But Godzilla isn't his old self: gone, for example, are his trademark maple-leaf dorsal spines, now a forest of thorns. All that really remains is the Godzillic roar, pitched higher than a foghorn but just as resonant, sort of like a herd of elephants on methamphetamines. And that's by default. A whole audio team was given the task of duplicating the sound but couldn't. And so Devlin and Emmerich simply picked...

Author: /time Magazine | Title: Cinema: What In The Name Of Godzilla...? | 5/25/1998 | See Source »

...Make safety glamorous: cover U.S. fire hydrants in gold leaf...

Author: /time Magazine | Title: How To Blow $50 Billion Without Even Trying | 4/27/1998 | See Source »

Chuck Close has to be the most methodical artist that ever lived in America. He goes at the canvas with all the afflatus of a silkworm eating its phlegmatic way across a mulberry leaf. His way of painting, once set up, becomes an effort of pure transcription that relocates the acts of imagination way back in the roots of its system, and spends months on it. Essentially, what he does is copy faces large from small photographs. "Large" means enormous--canvases 8 ft. or 9 ft. high, filled with the staring face of someone you probably don't know...

Author: /time Magazine | Title: Art: Close Encounters | 4/13/1998 | See Source »

...Aloha. Her rich, deep voice gave shape to the complex and poetic chant, capturing everyone's attention and setting the tone for the hula dances to follow. It was clear, that this would not be one of those oft encountered theme party caricatures of Hawaiian culture where ti leaf skirts are traded for cellophane ones, where canned pineapple wedges thrown on pizza qualify as a tropical Hawaiian feast. This was pretty close to the real thing. Authenticity of Hawaiian culture is hard to come by, especially on the main-land and when found, it is a rare treat for mainlanders...

Author: By Breeze K. Giannasio, | Title: A FIRST-HAND REPORT FROM THE MIT LUAU | 4/2/1998 | See Source »

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