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Word: leafed (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

Where, oh where is my Godzilla? What have they done to him? In the newest movie [CINEMA, May 25], gone are the chubby legs, large round feet and maple-leaf spikes on his spine. Moviemakers have taken away his personality. Remember when he would jump up and down with glee after beating his enemies? He was always there to fight the bad monsters. At the end of one movie, a small boy waved farewell, plaintively calling, "Godzilla. Thanks a lot." The beast acknowledged him in a silent goodbye. It touched my heart. And in Godzilla 85, when the beast...

Author: /time Magazine | Title: Letters: Jun. 15, 1998 | 6/15/1998 | See Source »

...town where lawyers are pressed from cookie cutters, stuffed into gray suits and sent off to work in colorless law factories, Jacob Stein is a rarity--he's a character. He takes midday literary breaks in his antiques-strewn office to leaf through 18th-century British classics. He wears dapper chalk-striped suits and two-toned shoes to court. And he has been known to send the detachable collars and cuffs from his hand-tailored shirts to London for laundering...

Author: /time Magazine | Title: Jacob Stein | 6/15/1998 | See Source »

Nearly 95% of the lizard's effects were created through computer graphics, and Tatopoulos' creature shop was twice the size of Jurassic Park's. But Godzilla isn't his old self: gone, for example, are his trademark maple-leaf dorsal spines, now a forest of thorns. All that really remains is the Godzillic roar, pitched higher than a foghorn but just as resonant, sort of like a herd of elephants on methamphetamines. And that's by default. A whole audio team was given the task of duplicating the sound but couldn't. And so Devlin and Emmerich simply picked...

Author: /time Magazine | Title: Cinema: What In The Name Of Godzilla...? | 5/25/1998 | See Source »

...Make safety glamorous: cover U.S. fire hydrants in gold leaf...

Author: /time Magazine | Title: How To Blow $50 Billion Without Even Trying | 4/27/1998 | See Source »

Chuck Close has to be the most methodical artist that ever lived in America. He goes at the canvas with all the afflatus of a silkworm eating its phlegmatic way across a mulberry leaf. His way of painting, once set up, becomes an effort of pure transcription that relocates the acts of imagination way back in the roots of its system, and spends months on it. Essentially, what he does is copy faces large from small photographs. "Large" means enormous--canvases 8 ft. or 9 ft. high, filled with the staring face of someone you probably don't know...

Author: /time Magazine | Title: Art: Close Encounters | 4/13/1998 | See Source »

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