Word: leah
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Dates: during 2000-2009
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...First Team All-Ivy members Jesseka Bartholomew and Laura Beckert. Well, not exactly. While both have graduated, Beckert has joined the Bulldog coaching staff as a volunteer assistant while she studies for her MBA at Yale. Still, the Bulldogs are not despairing, with senior First Team All-Ivy shortstop Leah Kelley and a pair of Second Team All-Ivy members coming back. Sophomore Beth Pavlicek can both pitch and hit, and led the Bulldogs in ERA (1.50), strikeouts (71), and home runs (three). Junior catcher Kristy Kwiatkowski matched Pavlicek’s home run total and also threw...
...eerily mad, whirling blindly while brandishing a sword and promising to kill her “husband”. Meneleus, performed by Richard J. Powell ’04, was dressed somewhere between a trailer park inhabitant, Egyptian, and rapper. Helen of Troy, was portrayed by Leah R. Lussier ’07 as a pouty sexpot accustomed to using her wiles...
...first-time attendee Leah R. Lussier ’07, Cultural Rhythms “showcases diversity, it’s bringing awareness” to a campus that she thinks “is definitely accepting. But the student body, we tend to separate ourselves...
...result was the welcome collaboration of another professional, Leah Gelpy, who specializes in sound and video design, and who made possible the first video live-feed the Loeb Mainstage has ever seen. In addition to the Chinese restaurant and the pasty-colored American ranch house that comprise the set, a large video screen hangs over stage left, streaming out scenes from the interior of the house. Margo notes dryly that Scheib’s proposal of de Musset’s Florence also “didn’t say ranch house...
...ART’s massive video screen, which is being increasingly integrated into Repertory productions, is put to fabulous use by Leah Gelpe, Scheib’s collaborator and Lorenzaccio’s Sound and Video Designer. In a perfect solution to the problem of the set’s complicated division of interior and exterior spaces, a pair of on-stage camerapersons send live footage of various scenes directly to the screen. Issues of form aside, this makes for moments of tremendous dramatic power—intense moments of dialogue and close-ups on actor’s faces...