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...When he was working around New York, he tried out for roles in a few musicals, met his wife when he was singing in a stock-company production of The Student Prince: "We were sitting on a wardrobe trunk, and it became plain that it would be easier to lean on each other than sit up straight. This led, eventually, to five kids...

Author: /time Magazine | Title: Music: Baritone in the Pea Patch | 3/16/1959 | See Source »

...measure with Mae West's 38-24-38. "I like 'em tight, girls," growled Mae, and was soon jammed into costumes in which she could not "lie, bend or sit." So that West could relax a bit between takes, a board was set up for her to lean against. Marlene Dietrich, arriving for a fitting, "quickly peels down, revealing the most beautiful French lingerie I've ever seen, all white, just a touch of lace...

Author: /time Magazine | Title: HOLLYWOOD: How Not to Wear a Tub | 3/16/1959 | See Source »

...wail of jazz drifts smokily through San Francisco bistros, the lean man with the horn-rimmed glasses and a grey-flecked crew-cut walks up to the bar and acts like the squarest square from Endsville. He orders milk. But from the Red Garter to the Purple Onion, not an eyebrow lifts. Everyone knows that on matters that count-a beat and a lyric-Columnist Ralph Gleason. 42, has a taste so cool that he turns out much of the solid reporting and comment on the convoluted world of jazz...

Author: /time Magazine | Title: The Press: The Cool Square | 3/9/1959 | See Source »

...package wrapper in the garment district; nights he used to drop in at a Broadway jazz cellar known as the Royal Roost. He learned a few songs-Star Dust, Blue Moon, Pennies from Heaven-and landed a job. He made some recordings, even composed a quavering ballad titled Lean on Me ("You in your high ivory tower/ Drunk with the sense of your power/ I adore you/ Do I bore you? Come, come le-ean on me"). One night, when he was playing the Five O'Clock Club in Miami at $300 a week, he chucked pop singing "like...

Author: /time Magazine | Title: HEADLINERS: Lead Man Holler | 3/2/1959 | See Source »

Half fact and half fancy, the old gag is not really funny-not to wrestlers, at any rate. Out on the grunt-and-groan circuit the oldtimers are still working because the old act is still packing them in. Flabby characters who once had the lean, handsome muscle of the stock-company hero now fill in nicely as villains. And week after week, in more than 300 arenas across the country, the good guys tangle with the bad guys in the stylized, make-believe mayhem that has made professional wrestling one of the most prosperous trades in show business. Says...

Author: /time Magazine | Title: SPECTACLES: Heroes & Villains | 2/16/1959 | See Source »

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