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...crowded main street in downtown Sao Paulo, a lean, intense young man brandishing a length of rubber hose charged a paunchy, white-haired, grandfatherly type. "Nasty old man!" shouted the attacker. "I'll teach you a lesson!" The improvised truncheon whistled past the victim's head, thudded against his shoulder. After that the oldster did the teaching. He whipped off his glasses, grabbed the upswung truncheon with both hands, wrenched it away, then gave the young man several ferocious whacks with it before the cops put an end to the skirmish, a sequel to a talk...

Author: /time Magazine | Title: People, Feb. 6, 1956 | 2/6/1956 | See Source »

...Patterson promptly turned pro, with D'Amato as his manager. He was sent to Trainer Dan Florio at Stillman's Gym for advanced instruction. Today, at 21, Patterson is known as a "fellow who will leave you for dead. He is a good-looking six-footer with lean hips, long arms and broad shoulders powered by slabs of smooth muscle ... he fights with the violent gracefulness of a large cat hunting its dinner. He is a rarity-a good boxer with a knockout in either fist . . . He is hard to hit, but he has been clobbered, upstairs...

Author: /time Magazine | Title: Sport: The Next Champ | 2/6/1956 | See Source »

...solo; the three trombones clip off their own high-swinging ensemble passages; and the four trumpets blaze away with such ferocity that the effect becomes strangely airy and bodiless. But the chief reason for all the internal excitement is the Duke's new drummer, Sam Woodyard. He sits, lean and still, behind his battery, neatly punctuating every phrase, coming as close as any man could to playing a tune on his four side drums and three cymbals (he actually squeezes pitch changes out of one drum by leaning on it with an elbow), while keeping a rhythm as solid...

Author: /time Magazine | Title: Music: The Duke Rides Again | 1/23/1956 | See Source »

...might reduce many a strong man to sentimentality-Schumann's Cello Concerto. Under the pale lights, Starker's sunken cheeks looked drained of blood as he bent to the romantic work, but he never bowed to its maudlin potentialities. His tone was neither too plump nor too lean, but pure, tense and silken. He sculpted the long, melodic lines precisely, restraining himself where a lesser musician might have whipped up some phony passion, then letting his instrument sing passionately, when passion was called for. Next day Critic Roger Dettmer wrote in the American that Starker "has grown from...

Author: /time Magazine | Title: Music: Cloudborne Cellist | 1/16/1956 | See Source »

...past eight years, he has lived at Antibes, France, a lean, soldierly man who rises promptly at 6 a.m. for a two-hour walk before breakfast and surprises the Riviera crowd by never setting foot in the local bistros. For the past three years, Kazantzakis has been a front-running candidate for the Nobel Prize. Like Italian Playwright Luigi Pirandello, a past Nobel winner, and Spanish Philosopher Ortega y Gasset, he is far from the operatic Mediterranean type; with them, he shares a dry, winy brilliance of mind. Under the harsh sun of Crete, neither brooding Teutonic mysticisms nor romantic...

Author: /time Magazine | Title: Books: Fate of a Hero | 1/16/1956 | See Source »

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