Word: leanne
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That's just one reason most record executives are still wary of the practice. Country-music hitmaker Mike Curb, best known for discovering LeAnn Rimes, vows not to use pay-for-play, fearing that the financial lure may tempt stations to start refusing songs unless they're paid. Another opponent is Richard Branson, the billionaire entrepreneur and head of V2 Records, who is worried that pay-for-play will turn listeners off by allowing inferior music on the airwaves. "If radio doesn't give the people what they want," he warns, "the people will go to other mediums...
...known if any Harvard premeds were affected. LeAnn Michelson '77, the pre-medical advisor at Harvard's Office of Career Services, was unavailable for comment yesterday...
Holiday in Your Heart, on ABC, Dec. 14 at 9 p.m., is a good deal more simplistic than A Christmas Memory, but what can you expect? One is based on a story by Truman Capote, the other on a novel co-written by a 14-year-old, country singer LeAnn Rimes, who stars in the drama as herself. This is truly a heart-toasting affair, as Rimes must choose between seeing her grandmother, who has cancer and may not survive an operation planned for the next day, or making her debut at the Grand Ole Opry. The show features Rimes...
...most popular music format, with the largest number of radio stations and fans all over. But to many music consumers, country remains a quaint taste, one that registers only with the rare fluke hit (remember Achy Breaky Heart, the Macarena of the summer of 1992?) or novelty act (LeAnn Rimes, who was 13 when her yodeling debut album, Blue, rose high on the pop charts last year). Even in the core regions CD sales are flat, and a malaise--or at best, a wait-and-hope--grips the industry. Three of Billboard's top six country albums last week were...
...secret of LeAnn's success is three words: volume (a big voice), volume (three albums in 18 months), volume (saturation marketing by Curb). The new CD--12 songs of inspiration, from The Rose to God Bless America--rarely unleashes Rimes' gloriously freaky soprano; at times she sounds intimidated, like a child called on to sing before stern church elders. Only in an a cappella National Anthem does she let loose the trills and glissandi; but, really, is that a cut you'll want to play...