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...alert people watchers might even have caught sight of Ted Sorensen-lean, cerebral, ascetic-moving mysteriously through the Potomac power basin toward his new headquarters at the Central Intelligence Agency. The former Kennedy intellectual left Washington in 1964-lean, cerebral, ascetic...

Author: /time Magazine | Title: THE PRESIDENCY by HUGH SIDEY: Grafting Job: Old Body, New Head | 1/17/1977 | See Source »

...lean, tweedy, modest man, Britten hated it when people referred to this composer or that, even him, as "the greatest." "Of course you can be the tallest composer," he said once. "Alban Berg was probably the tallest composer and Mahler was probably the shortest. But how can you judge that a particular composer was the greatest? Today Bach is considered greater than Handel, yet 100 years ago the opposite was true." For Britten it was enough, as he put it, "if people want to hear what you have written." In his case they...

Author: /time Magazine | Title: Music: Britten: 1913-76 | 12/13/1976 | See Source »

With all his activities, Karajan can still offer the advice, "Keep one thing in life and forget everything else," and mean it. For him it is "that wall to lean my back on," the Berlin Philharmonic. Such is the trust between Karajan and his musicians that he often conducts with his eyes closed. "I can feel the players better," he says. He gives few entry cues and the vaguest of cutoff gestures. Explains Karajan: "Baton technique is what the people see, but it is all nonsense. The hands do their job because they have learned what...

Author: /time Magazine | Title: Music: Karajan: A New Life | 11/29/1976 | See Source »

...Correspondent Newman justifiably sees himself as one of those individuals. Yet his tactics lean mainly toward humor. In the battle against corrupt English, he clearly believes he serves best not as a guerrilla but as a leader of the loyal opposition, even as a court jester...

Author: /time Magazine | Title: Uncomfortable Words | 11/15/1976 | See Source »

Fortunately, Speedboat is not a casualty of the war on language. Adler's prose is lean, straight-forward and exact. The compactness and order of her language provides an interesting contrast to the structural choppiness of the book. Adler's control of her structure is also consistently good; in rendering the incoherence of experience, she never lets herself lapse into unintelligibility under the assumption the reader wouldn't notice. The contrast between her narrative control and the defiant irrationality of the life she describes effectively heightens the sensation of vertigo that Speedboat is intended to inspire...

Author: By Anne Strassner, | Title: Patchwork absurdities | 11/15/1976 | See Source »

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