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Hobson's Choice (London Films; United Artists) is a cheerful little slice of death, warmed over and served with some lively comic sauces by Producer-Director David Lean (Brief Encounter, Great...

Author: /time Magazine | Title: Cinema: The New Pictures, Jun. 21, 1954 | 6/21/1954 | See Source »

What a period comedy generally needs is a strong hand in the cutting shears. Surprisingly, Director Lean has succumbed too often to a temptation to stand there with his shutter hanging open and stare at a prodigious exhibition of facial calisthenics. Laughton smirks, pouts, bug-eyes, belches, quivers his wattles, sleeve-wipes his nose, and generally golliwoggs it to a degree he has not attained since The Private Life of Henry VIII...

Author: /time Magazine | Title: Cinema: The New Pictures, Jun. 21, 1954 | 6/21/1954 | See Source »

...down on Bow St. tempers were short following the CRIMSON's scorching review of the first winter issue. Commented the reviewer:" "It would seem that the lean years have arrived in purlieus of Mount Auburn and Plympton Streets, for seldom have we previously been favored with such a monumental display of gratuitous imbecility, such wholesome vulgarity of the common or garden variety, or such lamentable paucity of wit and artistry as is represented by this issue...

Author: By Steven C. Swell, | Title: Raccoon Coats, Sousa's Band Help Kick Off Class of '29 Freshman Year | 6/14/1954 | See Source »

...Malaya would do without Templer was anybody's guess. But the hard, lean soldier would not be forgotten. "Templer left his impression on the whole country," wrote a Malayan. "Perhaps he will be a legend in the kampongs. They will remember the spare, striding figure, the smile that lit the eyes...

Author: /time Magazine | Title: SOUTHEAST ASIA: Success of a Mission | 6/7/1954 | See Source »

...falls. "Speed," mutters the man in the bucket seat of the huge Mitchell camera, peering through its eyepieces as if appalled. Then, while the 50 hairy ones look on in a sort of belligerent despair, while the tourists stand on tiptoes, while the director and servitors of the camera lean close enough to breathe on him, the actor kneels beside a chaise longue in the awful light, takes the hand of a beautiful, sticky-faced woman reclining there, and says, striving for both articulation and tenderness, "Darling...

Author: /time Magazine | Title: Cinema: The Survivor | 6/7/1954 | See Source »

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