Word: learã
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...Hamlet.” Very nice. I’m pretty fond of Edgar’s last line of “King Lear??, ‘Speak what we feel not what we ought to play?...
...Lear??s lecture, which focused on difficult philosophical concepts, was directed toward those with a wide-ranging grasp of philosophical history...
...first movement depicted King Lear??s descent into madness, with waves of brass and timpani looming over twisting dissonances. Kravitz sang confidently, spanning large intervals with ease, and the orchestra maintained a sense of disturbed panic without drowning out the voice. The movement ended with an unexpected, troubled calm: the orchestral sound suddenly evaporated with a consonant but inconclusive chord of harmonics in the violins...
...second movement, described by Yannatos as Lear??s lamentation of his misfortune, the king begs his daughter Cordelia for forgiveness. The movement was immediately less agitated and more sad than the first. Trumpets and winds pierced the somber mood with high notes like pangs of distress, and as King Lear began to see more clearly (“Where am I? Fair daylight?”), the strings evoked the confused insight of the madman. When Lear pleaded to Cordelia, fleeting major chords appeared like glimmers of light, and then the movement ended with another uncertain evaporation...
...Rome’s armies for forty years. He’s lost all his sons, pretty much. He comes back to Rome and finds that people want him to take up the emperorship, but he refuses. It’s kind of like “King Lear?? in that he refuses and then everything goes bad from there.RR: Have you ever made a decision where you felt like it was the cause of everything bad that happened after it?JF: In my life? No. Um, coming to America. No, not really.RR: So Titus is a pretty...