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Like most writers, Duchovny borrows heavily from the canon of literature, theater, and film, but he does so sloppily. This movie has the potential to achieve a Shakespearean tone: Tommy’s mom is something of a female King Lear; Pappass is the ubiquitous wise Fool; and Lady is the shrewd and mystical ethnic sorceress. Duchovny’s writing, however, unwittingly directs these characters away from their potential classical allusions and makes them instead into one-dimensional clich?...

Author: By Steven N. Jacobs, CRIMSON STAFF WRITER | Title: MOVIE REVIEW: House of D | 4/15/2005 | See Source »

...Rebecca Miller is so quick to deflect the subject, that Jack could embody some aspect of her father Arthur. Tempting but fruitless, since the real kinship is with the work of another playwright, dead nearly 500 years. Jack is a blend of Prospero, lord of his fantasy island, and Lear, the mad king with a loving daughter. Rose is his Miranda, his Cordelia...

Author: /time Magazine | Title: Movies: Misfits on a Sheltered Island | 3/28/2005 | See Source »

Sources: New York Times (2); U.S. Immigration and Customs Enforcement; USA Today; Lear Center Local News Archive (2); Sotheby...

Author: /time Magazine | Title: Numbers: Feb. 28, 2005 | 2/20/2005 | See Source »

Last week's shareholder meeting ended quietly, but the nasty succession drama is far from over. Eisner calls the intrigue at Disney "Shakespearean," and Stewart likens the CEO to Lear and Richard III--though the literary comparison undeservedly puffs up DisneyWar and Eisner. A media leader squandering his company's worth, a tyrannical boss, a failure clinging to power--these are dog-bites-man stories that Stewart simply bundles up in a deliciously toxic, if underanalyzed, package. It's not a tragedy worthy of the Bard, but it is a lusty roll in greed and spite. In other words...

Author: /time Magazine | Title: The Tragic Kingdom | 2/13/2005 | See Source »

...Wilson finally finished and released SMiLE, sending shockwaves through critical circles and introducing a new generation to the greatness of the late great sound of ’60s pop. Loretta Lynn’s decision to pair up with Detroiter Jack White spawned the confident, immensely listenable Van Lear Rose, a simple country album without any of the polish—a record replete with first takes, proudly flaunting its loose threads, winning on grit and charisma. The extreme optimist might hope that the commercial success these two legends found by committing themselves to old-fashioned, long-forgotten things?...

Author: By William B. Higgins and Chris A. Kukstis, CRIMSON STAFF WRITERSS | Title: 2004: The Year in Rock | 12/10/2004 | See Source »

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