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...three previous visits, Waite arrived in Beirut at the invitation of Islamic Jihad. He flew out of London Thursday evening, picked up a Lear jet in Frankfurt and continued on to Cyprus, arriving just after midnight. An American helicopter then transported him to Beirut. His use of U.S. facilities for his flights was not surprising, even though officials traveling with President Reagan said they had no direct involvement in his initiative. They pointed out that U.S. helicopters fly frequently between Beirut and Larnaca, where many U.S. embassy personnel have been evacuated for security reasons. Waite had ample reason, moreover...

Author: /time Magazine | Title: Lebanon Hostage Release | 11/10/1986 | See Source »

While Akira Kurosawa was waiting around for international moneymen to cough up the money for his ultimate production--an adaptation of Shakespeare's King Lear--he sketched and painted scenes, a practice called "storyboarding." Though Kurosawa's eyesight is failing, he still managed to create dramatically posed illustrations that assault the eyes like a rabid ronin...

Author: By Cyrus M. Sanai, | Title: Of Max Headroom and Kurosawa | 10/25/1986 | See Source »

...minor domestic problems that are always resolved, gently, before the final credits -- was established in such classic series of the 1950s and early '60s as Father Knows Best, Leave It to Beaver, Ozzie and Harriet and The Donna Reed Show. In the early 1970s, under the influence of Norman Lear (All in the Family, Maude, The Jeffersons), TV families became more realistic and contemporary, their problems more substantial and socially relevant. But as the decade waned, TV moved toward increasingly outlandish family match-ups (Diff'rent Strokes, Eight Is Enough) or escaped into nostalgia and parody (Happy Days...

Author: /time Magazine | Title: Video: All in the Family Again | 9/29/1986 | See Source »

...role of Bill Snibson, the Cockney peer, was originally a star turn for Lupino Lane, a comic mime of the '30s. Lindsay, seen in the U.S. as Edmund in Laurence Olivier's TV King Lear, proves an inspired successor. He has mastered the stereotypical Cockney's accusatory inflections, rough humor, feral grace and odd parlor tricks, from a no-hands bobbing of his hat on his head to incessant, playful swiping of a bystander's gold watch. He brings vitality to such shopworn comedy as passing out, being revived and protesting, "Here! I didn't faint for water...

Author: /time Magazine | Title: Theater: A Sweet and Sentimental Smash | 8/25/1986 | See Source »

...bleeding to death. Director Pat Patton represents the gore in Japanese fashion, with streamers of red ribbon, but audiences still titter as bodies heap up on the stage. Titus, a great general defied by his children and betrayed by his country, is often regarded as a forerunner of King Lear, lacking only the self-realization. Actor Henry Woronicz finds in the role such majesty, pathos, rage and ruin that he seems ready to take on Lear himself...

Author: /time Magazine | Title: Theater: Only 2,500 Miles From Broadway | 8/4/1986 | See Source »

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