Word: leathered
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Dates: during 2000-2009
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...Harvard Club of Boston, located in the heart of Back Bay, boasts a lobby lined with dark wood panels. A crimson carpet covers its floor. It is the kind of place that conjures up images of graying men in well-cut suits lounging in leather armchairs, nursing a scotch in one hand and a smoking cigar in the other, all the while discussing politics or stocks...
...celebrated with the flair one might expect to see at the opening of an art gallery. Members of the audience nibbled on hors d’oeurves in small clusters as they circled the large, softly lit room, perusing exhibits. Women wore pearls and heels; men wore scarves and leather gloves. Music played, and small groups lounged on low-seated red sofas. The air buzzed with eager discussion. But this wasn’t a traditional art show...
...Blue,” rides a driving guitar riff resembling something from a punk rock Johnny Cash as Casablancas delivers one of the album’s best lyrics: “I know I’m going to hell in a leather jacket / at least I’ll be in another world while you’re pissing on my casket.” While Casablancas’ freewheeling tone adds a sense of fun not heard in his voice for several years, it doesn’t distract from the fact that the song never really...
Most of the absurdity comes from the dialogue and props, while the acting remains deadpan. Clement, as Chevalier, recycles his character from “Flight of the Conchords” (which basically involves as little emotion as possible), simply adding feathers, weird leather ensembles, and an earpiece to become the science-fiction god. The rest of the actors follow suit, with the notable exception of indie veteran Jennifer Coolidge, who plays Benjamin’s bubbly, excitable mother. The unabating deadpan irony, when combined with the ludicrous plot, serve to estrange the characters from us rather than endearing them...
...times, these moments are more silly than shocking, but when they work, Leaf causes the distress the play wants. Toward the middle of the play, Corday whips Sade under his own request. No real leather is used (Jakim sets her hair to the task), but Jampol’s grimaces and cries express such a mix of pain and pleasure that it is hard to believe that no one is getting hurt. Standing, arms and legs outstretched in the middle of the prison, she is at once physically bound and liberated in her speech...