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Word: leaud (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...Blows, Truffaut's first great movie, stars a 12-year-old Jean Paul Leaud and you can see it for free if you got a t.v. It's playing on channel 5 tonight...

Author: NO WRITER ATTRIBUTED | Title: THE SCREEN | 7/19/1974 | See Source »

...moral point or offer a strong emotional appeal. He is constantly teasing the audience about its desire for an easy way out. At one point Marie (Bernadette Lafont) quietly gets up and goes into the bathroom where she takes an overdose of sleeping pills, and Alexandre (Jean-Pierre Leaud) panics. When, later on, Alexandre himself gets up and goes to the medicine cabinet, you expect him to do something equally dramatic--to slash his wrists, for example. Instead he sprays his face with cologne...

Author: By Paul K. Rowe, | Title: A Tale Without a Moral | 5/31/1974 | See Source »

Luis Bunuel's Belle de Jour, and a Stan Brakhage short, The Process, Thursday, April 18, 8 p.m., Glauber Rocha's Der Leone Have Sept Cabezas, with Jean-Pierre Leaud, Sunday, April...

Author: NO WRITER ATTRIBUTED | Title: Harvard | 4/18/1974 | See Source »

...Night. Another sweet movie by Truffaut, this may be more autobiographical than the others (400 Blows was the first in the line), as he plays himself. Starring Jean-Pierre Leaud, Jean-Pierre Aumont, Jacqueline Bisset, and Valentina Cortese, it is about the making of a movie called "Meet Pamela." Truffaut is perhaps too enamored, wistfully so, of his material--movie-making comes off as an experiment in building T-group togetherness. The actors live harder than the parts they play, high all the time off the magic of movie-making. The movie itself is pieced together out of bits...

Author: By Emily Fisher and Richard Turner, S | Title: Thank You Richard Nixon: Ten Movies | 1/24/1974 | See Source »

...MOTHER AND THE WHORE has been picked up for theatrical distribution in the U.S. That may be somewhat surprising, in view of its intimidating length (more than 3 ½ hours) and rigidly intimate scope: mostly three characters, a young man (Jean-Pierre Leaud), a young girl (Franchise Lebrun) and an older woman (Bernadette Lafont), toying with one another, taunting and seducing one another, finally vanquishing one another. The movie is direct and relentless, full of tough insight about the rites of what sometimes passes for love, and fierce in its final impact. Director Jean Eustache wrote the painstakingly accurate script...

Author: /time Magazine | Title: Cinema: Festival Days in New York | 10/22/1973 | See Source »

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