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...this While You Were Sleeping has. But its most attractive quality is its ease. The script by Daniel G. Sullivan and Fred Lebow wears its wit casually, and the director, Jon Turteltaub, is serenely confident of it, his actors and his audience. He lets scenes develop and characters--especially Bullock's alert and tender Lucy--emerge at their own unforced pace. How nice it is to come out of a mainstream American movie feeling that you've been treated as an adult. And how rare...

Author: /time Magazine | Title: BEAUTIFUL DREAMER | 5/1/1995 | See Source »

Demons succeeds most impressively, and fails most abysmally, for one reason: the acting. Will LeBow, as the demon Murray (a former comic who sold his soul for the chance to headline in a Catskills hotel), is hysterical. Strutting across the stage with an obnoxious yellow suit and a mouth you wouldn't want to take home to Mother, Murray, "a demon with heart palpitations," is cheesiness at its best. LeBow manages to perfectly capture the air and nature of the typical Kutscher's comic. Brustein's script walks an extremely fine line between the deliciously kitchy and the horribly cliched...

Author: By Danielle E. Kwatinetz, | Title: Brustein's Demons Bedeviled by Actors | 4/6/1995 | See Source »

...insights, though cogent and integrated into casual dialogue with obvious mastery of craft, come out of so many textbook summaries and sound too regurgitated to be more creative than didactic. Original characters have always been his fort, and here, again, they are at once brilliant and painfully funny. Will LeBow as the art dealer, Sagot (both real and reputedly a patron of the Lapin Agile), pompous, self-important and fake when it comes to anything but buying and selling, lights up the stage with every appearance. Leslie Beatty as Germaine, the waitress, is sassy and direct and knows...

Author: By Thomas Madsen, | Title: Sharing Cafe Au Lait With Two Great Intellects | 5/20/1994 | See Source »

...that someone is gay. His assistant Barbara DeMarco (Rebecca Fasanello), has a thick Boston accent and blue hair to match her clothes. The patrons of the salon are a hetero geneous group Mrs. Shubert is a Boston socialite--they used to call her Muffy at Radcliffe; Edward Lawrence (Will LeBow) is an antiquarian who conducts business with a famous pianist living in the same building. There is Mike Thomas (Mark S. Cartier) a geeky guy with a bowtie who opens his eyes really wide whenever Whitcomb touches him suggestively and Nick Rossetti (Michael Fennimore) who walks into the salon...

Author: By Daniela Bleichmar, | Title: Shear Madness Not Mad Enough | 2/17/1994 | See Source »

Price's work has nothing to do with such discursive archness. And it has ^ even less to do with the Bernard Leach tradition of quiet good taste and honesty in materials that grew out of Chinese and Japanese ceramics. As Edward Lebow points out in his engaging catalog introduction to this show, Price, from his student days in Peter Voulkos' West Coast classes, "devoted much of his studio effort to clearing his throat and going ptooey on 'creative craft' and 'good design...

Author: /time Magazine | Title: Art: The Faberge of Funk | 4/13/1992 | See Source »

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