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Word: lecher (lookup in dictionary) (lookup stats)
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...CinemaScope screen, bottoms up and bare as a censor's eyeball. In the hard sun of the Riviera her round little rear glows like a peach, and the camera lingers on the subject as if waiting for it to ripen. Pretty soon an aging lecher (Curt Jurgens) appears, and the two converse with only a sheet between them...

Author: /time Magazine | Title: Cinema: BB | 11/11/1957 | See Source »

Kevin Roller is a fat, lowborn lecher who has piled up a smelly fortune publishing obscene comic books and now has bought into the respectable but slipping Primrose Press. Is there a Kevin Roller on Manhattan's publishers' row? He is, at worst, a composite: traits of his career can be spotted in several existing New York publishing firms. Similarly, Tony Thompson-the passionate editor with a winetaster's nose for genius and a mixed-up love life-recalls bits and pieces of several real-life editors' personal histories. The same goes for Gerald Primrose...

Author: /time Magazine | Title: Books: Which Snake Pit? | 10/14/1957 | See Source »

LOVE AMONG THE CANNIBALS, by Wright Morris (253 pp.; Harcourt, Brace; $3.50), carries built-in advertising. At one point, the protagonist rhapsodizes: "Old lecher with a love on every wind, and you young ones too, running in pimpled packs after the teen-age bitch with her perfumed heat, and you, too, pretty matron, under the hair dryer, this is your book...

Author: /time Magazine | Title: Books: Mixed Fiction, Aug. 19, 1957 | 8/19/1957 | See Source »

...while her lover gazes out of the window over the city of Leningrad. The result sent the whole Soviet art world into a tizzy and crowds swarming to the Moscow gallery to see his work. At the gallery Glazunov has already collected three volumes of scribbled comment (ranging from "Lecher!" to "Hurrah for Glazunov!"). Trend to date: two-to-one in favor of Glazunov...

Author: /time Magazine | Title: Art: Realism in the Raw | 2/25/1957 | See Source »

...perfect as the crime. The film's intensity is slow to generate; interest is sustained, though perhaps not as much as it might, by concentration on the emotion of the distraught wife. Some scenes are grotesque, but they are never offensively so. Paul Meurisse, brutal and dynamic, plays the lecher of women and money. Vera Clouzot, palpitating in guilt and disease, is morally both noble and weak as his wife. Simone Signoret, a Shelley Winters of the Champs Elysees, is calm and ecstatically vengeful. The composite is queer, probing, and quite perfect...

Author: By Gavin R. W. scott, | Title: Diabolique | 2/21/1956 | See Source »

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