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Suddenly the mechanical doll (Italian Ballerina Leda Lojodice) materializes before him, and the two dance across the ice in a final pirouette to the game of life. Watching the scene unfold, Fellini's assistant director, Gerald Morin, smiled softly. "So this is what Fellini thinks it all comes down to-a vacuous man dancing with a mechanical doll. Only a middle-aged man growing cynical could make such a statement. How sad. How honest...

Author: /time Magazine | Title: Show Business: The New Fellini: Venice on Ice | 5/17/1976 | See Source »

...figure painting entitled Planes by Colors, Large Nude, 1909-10, Kupka had taken the un inhibited color of Fauvism and given it a dense, architectural solidity (it seems right that the model's pose, monumental as it is, should mimic that of Michel angelo's Leda). The problem was now to set those planes in motion; for that, Kupka resorted to one of the great novelties of the time, the high-speed sequential chronographs of pioneer Photographer Etienne-Jules Marcy-multiple exposures that bridged the gap between still photography and the movie cam era. His pastel studies...

Author: /time Magazine | Title: Art: Catching the Astral Plane | 10/13/1975 | See Source »

...lived-in space, decked out with a fireplace on whose mantle sit an hourglass, an astrolabe and a drinking-mug. There are a chandelier, a terrestrial globe on a stand, a mirror, antlers on the wall, and, most appropriately, a folding screen depicting the nude mythological Leda about to be impregnated by Zeus-as-swan. Doors lead offstage to other rooms, including the hyperactive bedroom...

Author: By Caldwell Titcomb, | Title: 'The Country Wife' in Bright, Funny Revival | 7/6/1973 | See Source »

...cygnet, young Louis has to be furnished with a store-bought trumpet, and soon tootles his way into many hearts and places. White's main achievement, though, is Louis' father, a cultivated cob who talks a brand of rhetoric such as might come of an alliance between Leda and the Late George Apley...

Author: /time Magazine | Title: Books: For the Young: Dreams and Memories | 12/21/1970 | See Source »

Perhaps there is a reason; painting is essentially a more voluptuous mode of expression than drawing. To judge from 16th century copies of his now lost Leda and the Swan, he could depict sensuous nudes when he chose. But the drawing that survives of Leda's head shows a lady ethereal and detached. Surviving also are the austere and delicate silverpoint studies of hands, believed to have been made for the portrait of Ginevra dei Benci. The painting itself, in Washington's National Gallery, has been cut off just below the shoulders (though no one knows in which...

Author: /time Magazine | Title: Graphics: A Man of Infinite Possibilities | 6/20/1969 | See Source »

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