Word: ledgers
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Dates: during 2000-2009
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...Thursday afternoon, Medina and 10 borrowers gather in Ziomara Suarez's apartment in the northern prong of Manhattan. As the borrowers - all women, all immigrants - pack into a room with shelves full of the herbal health remedies Suarez sells, they each hand Medina a small blue ledger with a loan payment tucked inside. If any one of the women doesn't pay her weekly installment, credit will be cut off to the entire group - stunting the small businesses they've each developed. Collateral and credit scores may be missing, but peer pressure is powerful. The result: a 99% repayment rate...
...week before Heath Ledger's passing, Brad Renfro died. A poor kid from Knoxville, he was cast at 10 as the lead in a John Grisham thriller The Client, revealing a natural, winsome poise that made viewers of the hit film want to adopt him. Someone responsible should have. This sensitive waif starred in Bryan Singer's film of the Stephen King Apt Pupil, but over the years his rap sheet proved longer than his movie résumé. Constantly in trouble on drug-related charges, Renfro died of a heroin overdose...
...digitization in some government bureaus is almost Monty Python-esque. In Diyala, the governorate's billion-dollar budget (the amount is cumulative because the budget has not been executed over three fiscal years) was being administered by a single accountant who had "a pencil, an eraser and a huge ledger," says Hunt...
...York and L.A. named Sean Penn for Milk; the NBR cited Clint Eastwood for Gran Torino, and D.C. pinned Mickey Rourke for The Wrestler. Best actress: Sally Hawkins in Happy-Go-Lucky (New York and L.A.), Meryl Streep in Doubt and Anne Hathaway in Rachel. Supporting actor: Heath Ledger, The Dark Knight (L.A. and D.C.) and Josh Brolin, Milk (New York and NBR). Supporting actress: Penelope Cruz as the passionate painter in Vicky Cristina Barcelona (NBR, New York, L.A.) and Rosemarie DeWitt as Rachel in Rachel...
...make an abstract address about the location of Harvard and its students in the world, but instead to present a political case for the tax-exempt status of the endowment. It was, all told, an eloquent and well-argued speech, drawing a clever equivalence between the strength of our ledger books and the munificence of our deeds. But in choosing to dedicate her speech to warding off the specter of taxation, President Faust betrayed the tacit terror with which Harvard meets the prospect of the government meddling in our treasury. Unfortunately, that is a terror we must overcome...