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...Scratching. Tchaikovsky (Richard Chamberlain) is first observed in the bed of his lover, Count Anton Chiluvsky. As played by Christopher Gable, the count is a vaudevillain complete with waxed mustache and leer. Tchaikovsky, fleeing from scandal, marries the nymphomaniacal Nina Ivanovna (Glenda Jackson). The outcome is nearly homicidal. (One night, wrote the tormented composer, "I was within a hairbreadth of succumbing to that blind, unreasoning, diseased loathing that ends in murder.") Tchaikovsky suffers a series of breakdowns. Nina ends her life in a sanitarium, hopelessly insane...

Author: /time Magazine | Title: Cinema: False Notes | 2/8/1971 | See Source »

...side in the war has a monopoly on such horrors. The Communists have committed more than their share of atrocities. At the My Lai trial in Fort Benning, Ga., Radio Operator Robert van Leer told of how the Viet Cong dealt with one captured American soldier. They fitted a bird-cage-like device around his head, said Van Leer, then filled it with live rats...

Author: /time Magazine | Title: The World: Grisly Trophies | 2/1/1971 | See Source »

...went on to describe the dictator in images redolent of death, decay and sickness. Stalin's "fingers are fat as grubs," his "cockroach whiskers leer," his laws are like horseshoes to fling "at the head, the eye or the groin." One version of the poem ended with Stalin savoring every execution like a raspberry...

Author: /time Magazine | Title: Books: The Buried Life | 1/18/1971 | See Source »

...When we recite the roll of the boring [July 13], how can we leave out that evangelist of bisexualism, Gore Vidal? And who could think of either Vidal or boredom without thinking of the King of Leer, William F. Buckley Jr.? Who could be more tiresome than Billy Graham? The list is obviously far from complete...

Author: /time Magazine | Title: Letters: Aug. 3, 1970 | 8/3/1970 | See Source »

...guile-lessness making at once for high comedy and fine acting. Llody Schwartz's Kolenkhov is a natural scene-stealer. He pronounces "The Monte Carlo Ballet" with just the right Bela Lugosi intonation, he talks and gestures like a proud Rasputin fallen on bad times, and his Romanov leer is so hilariously Russian that one can smell the caviar in the pit. George Mager's classic internal revenue agent scene is a stunning shtic planted in the first act. And Suzanne Sato's wonderful costumes are more convincing than those in any other period piece I've seen...

Author: By Martin H. Kaplan, | Title: At Agassiz You Can't Take It With You | 7/28/1970 | See Source »

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