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...decade was scarcely a year old when the nightmares began. The demoniac leer of Charles Manson. Confessions without remorse. An aerospace unemployment line of 180,000 bodies. Flickering images of a bank burning. Such impulses, such possibilities, had always been there beneath the glitter, but once they surfaced, it was hard to see Utopia any longer. Suddenly, a 1971 California poll showed that half the state's recent arrivals, plus a full third of its permanent residents, would leave if given the chance. This was big news. By 1972 California migration was 90% below the annual rate...

Author: /time Magazine | Title: Time Essay: What Ever Happened to California? | 7/18/1977 | See Source »

...lonely; when he crudely but movingly divulges to Ann his haunting memories of first seeing his mother naked, she doesn't even lift the pen from her shopping list. But the actor, Michel Peyrelon, possesses the kind of jowly, hugemouthed face that turns even a wounded smile into a leer, and when he finally holds Veronique's passive head on his shoulder, patting her hair and closing his eyes, his emotional wince seems to say stupidly "God, I'm sensitive, God, I'm sensitive." (If you've ever seen Anthony Newley sing "What Kind of Fool...

Author: By Mark T. Whitaker, | Title: Should He or Shouldn't He? | 9/24/1976 | See Source »

JOEL GREY'S DIABOLICAL LEER, Liza Minelli's divinely decadent green nail polish and nervous mannerisms and the way her magnificent, ringing voice transfigured both in the lurid glare of the Kit Kat Klub--these are images that linger long and powerfully from the film version of Cabaret. From the growing horror of Nazism in Weimar Germany, the film cut artfully to the dazzling, perverse world of the cabaret, which grotesquely parodied an even more grotesque reality. The effect was to present a society in which decent human relationships were impossible, where human contacts were uniformly debased to the level...

Author: By Julia M. Klein, | Title: Divine Decadence and Dollars | 5/13/1976 | See Source »

...foibles and disorders of modern life. His publishers try to give the impression on the dust jacket that Hills is having a bit of a joke here with his talk of "Moral Virtue," the kind of joke you tell with plenty of broad winks and an occasional leer. It's just as well for them--who, these days, is going to buy a hortatory treatise on ethics that first appeared in Playboy...

Author: By James Gleick, | Title: A Noble Question | 4/9/1976 | See Source »

Colleen Dewhurst and Ben Gazzara as Martha and George leer endearingly throughout with maddening control, periodically exploding barrages of verbal fire into vulnerable areas. Their conspiratorial magic transforms metaphysical ping-pong into a cooing and spitting that is pleasing to watch. Richard Kelton as Nick embodies the American Dream to a tee and he plays it with telling emphasis on the ruthlessness of youthful ambition. Maureen Anderman handles what is probably the most difficult role in the play without succumbing to the temptation of making Honey a one-dimensional hysteric...

Author: By Tom Wright, | Title: Albee's Not | 3/18/1976 | See Source »

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