Word: leeringly
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...weeknights and weekends, a few choose to strip and a lot choose to leer at the world famous Big Al's, the city's neon-lit tribute to gender equality...
...Waste Land; but it was a past so disarranged--with the Buddha next to St. Augustine, and Ovid next to Wagner--that a reader felt thrust into a time machine of disorienting simultaneity. And the poem had an unsettling habit of saying, out of the blue, "Oed' und leer das Meer," or something even more peculiar. It ended, in fact, with a cascade of lines in different languages--English, Italian, Latin, French, Sanskrit. Still, readers felt the desperate spiritual quest behind the poem--and were seduced by the unerring musicality of its free-verse lines...
...shooting of the last scene took place in late January, just after Monica Lewinsky had become a household name. The film's main ad line ("What went down on the way to the top") now had a Letterman leer, and the central mystery (Can Stanton cover up an affair with a young woman?) seemed less like satire than prophecy. But, of course, the timing was just a fluke of the Zeitgeist. As Maura Tierney says, "The reality is something very serious, and the movie is something we made in Hollywood, based on a book that came out more than...
...subdivisions, Sub Shop, Joel's raggedy '69 Impala, the box factory, the sad, slutty daughter of an old girlfriend so beautiful, so sad, that even then, back in high school, it hurt to look at her. Will and Joel are in their mid-40s, which is when the last leer of youth disappears behind the fog of the bathroom mirror. And when middle-aged guys fumble an answer ("Huh? Um, well...") to the scary question, "Is this all there...
Hoffman is superb, underplaying even the punchiest lines for maximum effect. A spotlight line such as, "You're the best show in town, Sam," might have amounted to little more than a melodramatic leer in the hands of a less talented actor; Hoffman delivers it quietly, almost swallowing the words, and the effect is chilling. To its own detriment, the script fails to learn from his example. Writers Tom Matthews and Eric Williams, journalists themselves, cannot resist hammering home their message. "I don't want to cross the line," Brackett tells his boss; Lou, at the beginning of the movie...