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Word: leers (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

Detective Fred Otash testified that Hollywood Research, Inc., a listening post manned by a niece of Confidential Publisher Robert Harrison, the king of leer, paid him more than $30,000 a year for his services. Among Otash's assignments: spying from bushes on Anita Ekberg, and taking telephoto-lens movies of her and her husband-to-be, Anthony Steel; "checking" some 200 Hollywood expose stories in two years for Harrison and others...

Author: /time Magazine | Title: The Press: Headline of the Week | 3/11/1957 | See Source »

...climax, however, comes next day. Bogart goes over to Benko's place to pick up his boy's purse. After the bossman's deductions are made, it comes to exactly $49.07. "Fighters," somebody remarks with a self-satisfied leer, "are dirt...

Author: /time Magazine | Title: Cinema: The New Pictures, may 21, 1956 | 5/21/1956 | See Source »

...first act of the Metropolitan Opera's new Don Pasquale, Baritone Frank Guarrera peeks behind a screen where Coloratura Roberta Peters is making an onstage costume change. "Brava," he sings with a leer. "Brava, brava!" That sentiment might well serve as comment on the whole production. Peters & Co. have turned Gaetano Donizetti's old (1843) comic opera into something to cheer about...

Author: /time Magazine | Title: Music: Merry-Go-Round at the Met | 1/2/1956 | See Source »

...while taxing it. The film has been subtly directed by Henri Verneuil, handsomely produced by Raoul Ploquin, admirably helped with a good supporting cast. But Fernandel is a Judas goat who leads every minute of Sheep to its zany consummation. With the slightest nuances of his elastic face-a leer, a bucktoothed grin, a cocker-spaniel look of sadness-he proves that he is one of the most versatile comedians alive...

Author: /time Magazine | Title: Cinema: The New Pictures, Sep. 5, 1955 | 9/5/1955 | See Source »

...British owner of millions and a title, Guinness has an easy assignment. He is seldom called on to do more than say a few lines or leer a bit at his young escort. He does the latter admirably, but without suggesting the talents as a comedian which he has shown in most of his earlier pictures. However, Odile Versois, the salesgirl, is an engaging contrast to Guinness' somber tweeds. As a sort of personification of the infinite possibilities offered by Paris in April, she burbles and bubbles over with joie de vivre. Next to her, even the sleek and well...

Author: By Thomas K. Schwabacher, | Title: To Paris, With Love | 4/27/1955 | See Source »

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