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Word: lees (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...Fisherman (Centurion Films; Buena Vista) will probably net the biggest box-office catch since The Ten Commandments, despite the fact that it has all the vices and almost none of the homely virtues of the Lloyd C. Douglas novel that inspired it. For oldtime Moviemaker Rowland V. Lee (The Count of Monte Cristo) knows just where the millions lie: in fictionalized history, resplendently costumed, sexed up, and heavily flavored with religion. There are sumptuous orgies in palaces that look like the new banks of Beverly Hills; John the Baptist is beheaded in 70-mm. Panavision, color and stereophonic sound...

Author: /time Magazine | Title: Cinema: The New Pictures, Aug. 17, 1959 | 8/17/1959 | See Source »

Anatomy of a Murder. Producer-Director Otto Preminger's effective courtroom melodrama that seems less concerned with murder than with anatomy. James Stewart is the lawyer and Lee Remick the defendant's inviting wife in a court whose memorable presiding judge is famed Boston Lawyer Joseph N. Welch...

Author: /time Magazine | Title: CINEMA: Time Listings, Aug. 17, 1959 | 8/17/1959 | See Source »

...eight. Caught up in the cultural invasion, armchair wayfarers could head out with Wagon Train or Highway Patrol. With tea they got Annie Oakley, Mickey Mouse, Popeye; with cocktails it was Lucille Ball in Lucy or Ann (Private Secretary) Sothern; with the bedtime mild-and-bitter came OSS, or Lee Marvin's M Squad. On commercial channels in the south, Midlands, and north, screens flashed with Wild Bill Hickok, Lassie. Joe Friday, Martin Kane or Flash Gordon...

Author: /time Magazine | Title: TELEVISION ABROAD: They Went Thataway | 8/10/1959 | See Source »

Anatomy of a Murder. Producer-Director Otto Preminger's impressive courtroom drama involving murder, rape and outspoken language about both. James Stewart as a deceptively easygoing lawyer and Lee Remick as an accident-prone tart are excellent, but famed Boston Lawyer Joseph N. Welch steals the show as the judge...

Author: /time Magazine | Title: THEATER: On Broadway, Aug. 10, 1959 | 8/10/1959 | See Source »

Particularly impressive are Michael Wager's Malcolm and Lee Richardson's Ross. In his big colloquy with Macduff, Wager speaks with clarity, conviction, and nice rhythm. And, since Malcolm is the last person to speak in the play, it is good to have someone in the role who excels in classical diction. Richardson brings a force and earnestness that make his Thane of Ross the best of the dozen or so I have seen...

Author: By Caldwell Titcomb, | Title: Macbeth | 8/6/1959 | See Source »

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