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These statistics were discovered by Yün-ke Chin-Lee ’10, who subsequently sent them out over the Pf-OPEN with the subject title “Somewhat disturbing Pfopen subscriber stats...

Author: By Jessie J. Jiang, CRIMSON STAFF WRITER | Title: Pfoho, The Devil's Snare? | 11/17/2009 | See Source »

...hand dialogue and minimal exposition combine to superb effect in charting the pull of human loyalties. This is a gangster film that works without violence - or even revealing, until close to the end, that these pill-popping, pleasure-seeking if girl-shy goof-offs are gangsters at all. And Lee wisely lets singer turned actor Pete Teo and sleepy-eyed Singaporean cult actor Sunny Pang (cast as a country bumpkin who rises by default to gang boss) carry the weight with amazingly nuanced and uncontrived nonperformances. (See TIME's complete coverage: The 2009 Cannes Film Festival...

Author: /time Magazine | Title: Camcorder Capers in Malaysia | 11/16/2009 | See Source »

...shock many. Here's an entirely amoral, unrelentingly materialist nation that's 100% populated by Hokkien Chinese. This is no devout, mostly Muslim society, nor some showcase of the harmonious multiculturalism shown in destination commercials. Instead of being "truly Asia," to quote the country's official tourism slogan, Lee's Malaysia is truly segregated. The film won the silver prize in the Hong Kong International Film Festival's Asian Digital Competition. Too bad the miniDV shooting format, and timid distributors, will keep this instant noir classic from getting the wider response it deserves...

Author: /time Magazine | Title: Camcorder Capers in Malaysia | 11/16/2009 | See Source »

...Lee is the foreign policy research fellow at the Centre for Independent Studies in Sydney and a visiting fellow at the Hudson Institute in Washington...

Author: /time Magazine | Title: China Woos Africa — And Not Just For Its Resources | 11/16/2009 | See Source »

Because the early screening of Precious came with a warning from the publicist to bring tissues, I fully expected to be a goner. Yet there I sat dry-eyed through all of Lee Daniels' screen adaptation of Sapphire's celebrated 1997 novel Push. The movie has the kind of authenticity and ugly immediacy that make the tears of a viewer sitting in the dark safety of a movie theater seem a little silly - indulgent even...

Author: /time Magazine | Title: Precious Review: Too Powerful for Tears | 11/16/2009 | See Source »

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