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Word: lefts (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
Sort By: most recent first (reverse)


Usage:

...four reported a population decline. For the first time in the experience of Chicago, which boasts-or at least counts-three Skid Rows, there are empty rooms now in the neighborhoods' overnight hotels. Ronald C. VanderKooi of the University (CANADA) °f Illinois predicts that Skid Row, if left alone, will probably...

Author: /time Magazine | Title: Cities: Passive Protesters | 2/28/1969 | See Source »

...gentle rebuke of the Skid Rower's isolation. Today's dropouts, however, are activists, whose purpose is not to shun the Establishment but to challenge and change it. The men on Skid Row would never understand that: all they ever asked of the Establishment was to be left alone...

Author: /time Magazine | Title: Cities: Passive Protesters | 2/28/1969 | See Source »

...recent Friday afternoon, a 1959 green Oldsmobile was parked alongside the curb in a middle-class residential neighborhood of New York City. Two men got out, removed the license plates, and opened the hood slightly to make the car look as if it had been stolen or left alone while its owner went for help. Then they withdrew to a nearby window, where-unseen-they could watch what was to happen...

Author: /time Magazine | Title: Crime: Diary of a Vandalized Car | 2/28/1969 | See Source »

...first 26 hours, a steady parade of vandals had removed the battery, radiator, air cleaner, radio antenna, windshield wipers, right-hand-side chrome strip, hubcaps, a set of jumper cables, a gas can, a can of car wax, and the left rear tire (the other tires were too worn to be interesting). Nine hours later, random destruction began when two laughing teen-agers tore off the rearview mirror and began throwing it at the headlights and front windshield...

Author: /time Magazine | Title: Crime: Diary of a Vandalized Car | 2/28/1969 | See Source »

...like literal copies, they are usually sly, even malicious comments about the nature of art and its relation to reality. John Clem Clarke's stylized version of Frans Hals' "St. Adrian Militia Company," which hangs in a downtown Manhattan bar (above, with artist seated second from the left), is surrounded by a white line so that the staid, 17th century Dutchmen appear to be figures on a television screen. Clarke thus suggests that TV's ubiquitous eye has changed everybody's way of seeing reality. Vancouver's Iain Baxter burlesques famous artists by carrying their...

Author: /time Magazine | Title: Art: ART FOR ART'S SAKE | 2/28/1969 | See Source »

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