Word: lefts
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...Tuesday’s less-than-stellar weather—each recognized the art museum’s ability to represent what it means to be an American. Closing remarks by Ivan Gaskell, a curator at Harvard’s Fogg Art Museum and a senior lecturer on History, left the audience with a series of dramatic and tantalizing questions...
Most of the window remained intact, but the men left behind a circular hole in the glass storefront...
...saying is more than a little cliché. Yet it’s an absolutely sincere statement, and the group have thoroughly earned that sincerity. Though there seem to be as many bands reuniting as forming these days, the Blur reunion felt particularly special. “No Distance Left to Run,” the new documentary chronicling the British band’s career and reunion, proves just how special...
Directed by Dylan Southern and Will Lovelace, “No Distance Left to Run” tells two stories simultaneously: an overview of the band’s original life from 1989 to 2003, and the story of their reunion, including their huge concerts at Glastonbury and Hyde Park. The film is structured rather curiously, frequently interrupting the narrative of the band’s career to show footage from 2009’s warm-up gigs and jumping from the youthful teenage version of the band writing their first album, “Leisure...
...dual narrative structure is absolutely critical to the film’s success. Frankly, if “No Distance Left to Run” had been purely chronological, it would have been rather depressing. As the film shows, being in Blur was far from an easy job. Despite the fact that they were one of the most successful bands of the 1990s, Blur seemed to have far more moments of resignation, anger, and bitterness than of elation. Early in their career they lashed out against their record company, the hollowness of grunge culture, and the pervasive influence of America...