Search Details

Word: legendizes (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...BaadAsssss also examines the music, which the larger (i.e., white) audience probably knows better than the movies. There is archival footage of Shaft's director, Gordon Parks, coaching Hayes as he records the movie's funk-legend theme, and critic Elvis Mitchell explains how Curtis Mayfield's antidrug score for Superfly subtly rebuts the movie's pusher-glorifying plot (the same tension as exists in much gangsta rap). The documentary confirms blaxploitation's lasting influence on music and movies by interviewing Afeni Shakur (mother of late rapper Tupac) and Quentin Tarantino, the white boy whom blaxploitation made. The Oscars...

Author: /time Magazine | Title: Blaxploitation's Mass Appeal | 8/12/2002 | See Source »

...National Security Division, commanding more than 100 experienced agents. By spring they were all overloaded. O'Neill's boss, Assistant FBI Director Barry Mawn, spent part of his time pleading with Washington for more agents, more linguists, more clerical help. He got nowhere. O'Neill was a legend both in New York, where he hung out at famous watering holes like Elaine's, and in the counterterrorism world. Since 1995, when he helped coordinate the arrest in Pakistan of Ramzi Yousef, the man responsible for the 1993 bombing of the World Trade Center, O'Neill had been...

Author: /time Magazine | Title: They Had A Plan | 8/12/2002 | See Source »

...said of Lewis in another terrific Tosches book - "Country: The Twisted Roots of Rock 'n' Roll" - "He made Elvis acceptable. Elvis tried to be good.... But Jerry Lee was always a shitkicker." His nickname was 'The Killer,' and who knows how close he came to living down to his legend...

Author: /time Magazine | Title: That Old Feeling: Golden Sun | 8/10/2002 | See Source »

...Meyer's need simply to live up to the legend created around him. Ebert, in his 1973 essay, had written admiringly of the director's stripped-down means of production: "It isn't so much that he operated his own camera as that he also carried it." And what do we see in "Beneath the Valley"? A shot of Russ, carrying his camera up a mountain. Actually, since this is one of the last shots in Meyer's last feature film, it has in retrospect the tone of a distant wave goodbye from a grizzled old friend...

Author: /time Magazine | Title: Thanks for the Mammaries | 8/2/2002 | See Source »

...that account does not make for a very good legend, so the town goes with the Lexington spin...

Author: By Stephanie M. Skier, | Title: The Fantasy of Local History | 7/5/2002 | See Source »

Previous | 175 | 176 | 177 | 178 | 179 | 180 | 181 | 182 | 183 | 184 | 185 | 186 | 187 | 188 | 189 | 190 | 191 | 192 | 193 | 194 | 195 | Next