Word: legendizes
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...Directed by Gabriele Muccino and written by Grant Nieporte, Seven Pounds continues a string of movies - The Pursuit of Happyness, I Am Legend, Hancock - in which Smith's characters are isolated and superior, estranged from normal life, ultimately trying to make contact with ordinary folks. It's been ages since the star flashed his charismatic smile for a whole movie. Here he speaks to people with a precise courtesy that seems learned rather than felt. Pain pulses just behind his fretted eyebrows; he carries himself like a hero too gentlemanly to show his grief, too weighed down to hide...
...that was the '80s, when directors still wanted to hire him. He pissed away what should have been his prime by curling inside the legend of the Difficult Star, acquiring an odor for being rowdy and unreliable. And since he wasn't a box-office magnet, why take the chance? Bio stats on the Internet Movie Database synopsize Rourke's '90s: "Turned down Bruce Willis' role in Pulp Fiction ... Filmed a role in [Terrence Malick's] The Thin Red Line that eventually got cut ... Walked off the set of Luck of the Draw when the producers refused...
...Don’t talk to me like I’m some plantation owner” “What da fuck d’ya want then?” The above dialogue sums up the first meeting between sharecropper-turned-blues legend Muddy Waters and Leonard Chess, Chicago club owner and soon-to-be head of Chess Record Label. Chess and Waters are the subjects of “Cadillac Records” from writer/director Darnell Martin. Along with a stellar cast and soundtrack, the film tells the semi-true story of Chess’s famed...
...Clash,” a big pink book. But maybe it’s appropriate. The Clash, after all, were a band that refused to bow to anyone’s expectations about how they should look, act, or sound, and yet much of their legend has been colored by words written by others. Perhaps the pink cover is the band’s way of saying, “This is what really happened.” “The Clash” contains the band’s own words about their history, from their 1976 formation...
...resumés of the Hollywood Foreign Press Association are a little more obscure. Few make a full-time living as movie critics for their international publications; most are showbiz reporters, celebrity hawks, gossip paragraphists. Legend had it that in the Association's early days, some HFPA members were only vagrantly attached to news organs, and that once a year they'd get to host a party for the movie stars whose hair they'd dressed or cars they'd parked. Whatever the journalistic provenance of the HFPA members, their ability to commandeer a Sunday night on a major television...