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Like most painters. Carles hoped for public confirmation that his new abstract direction was valid. In the socially conscious U.S. art world of the 1930s, such confirmation was not forthcoming. (In 1936 Leger visited him in Philadelphia, was amazed to find "anything like this going on in America.") Carles began painting and repainting the same canvases until they were too heavy to lift. The World War II migration of Paris painters -Chagall, Mondrian et al.-to Manhattan finally produced the understanding audience Carles longed for, but it was too late. In 1941 Carles suffered a stroke, and though he lingered...

Author: /time Magazine | Title: Art: ARTHUR CARLES: A Success of Failure | 6/8/1959 | See Source »

...that Barnard Hall girls don't like to dress well, it's just that they like to be well-dressed without the competitive spirit entering into it," according to Barnard's contestant, Jane St. Leger...

Author: NO WRITER ATTRIBUTED | Title: Radcliffe Exhibits 'Best-Dressed Girl' | 2/25/1959 | See Source »

...medium in 1926 with wire sculptures. He created out of wire a whole circus, complete with leaping trapeze artists, jumping kangaroos and horse-hurdling bareback riders. Their mobility, controlled by springs and a master crank, charmed a Paris Left Bank audience that included Jean Cocteau, Pablo Picasso, Fernand Leger and Joan Miro. The mobile was being born...

Author: /time Magazine | Title: Art: DESIGN IN MOTION | 5/26/1958 | See Source »

...Manhattan's Knoedler Galleries are 29 sculptures with a vastly different intent. Paris Sculptor Etienne Hajdu, 50, born in Rumania of Hungarian parents, first approached his work under the inspiration of Abstractionists Fernand Leger and Brancusi. A wartime stint as a laborer in a Pyrenees marble quarry and an abrupt shift back to the position that "man is wonderful" gave him a new material and new goal...

Author: /time Magazine | Title: Art: In Bronze & Marble | 5/12/1958 | See Source »

...find his inspiration, the senior partner of Harrison & Abramovitz in 1954 toured the great cathedrals of England, France and Germany. Through his friend, Painter Fernand Leger, he met Chartres' famed stained-glass artist, Gabriel Loire, who molded the glass according to Harrison's design. The ruby, amber, amethyst, emerald and sapphire glass sections, roughly chipped to flash like jewels, are laid out to form abstract designs representing the Crucifixion and Resurrection...

Author: /time Magazine | Title: Art: Whale of a Church | 3/24/1958 | See Source »

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