Word: lehar
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Dates: during 1980-1989
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...worthy cause. What, after all, is the American musical but a transatlantic cousin of the Viennese operetta whose patrimony also includes the harmonic and rhythmic vitality of jazz? The line from Johann Strauss and Franz Lehar to Frederick Loewe and Richard Rodgers is really very short. Far from being an exotic and irrational entertainment, opera is the most vital and popular of musical forms. Is Mozart's The Magic Flute, composed in the vernacular for the Viennese commercial theater, stuffy high art just because it is 200 years old and occasionally performed at the Met? That would be news...
...German equivalent of a verbal shrug: "Naja," says Prey, and gloomy Faust retreats. He seems constitutionally incapable of becoming too morose. After all, when pressed, he admits that one role he would really like to sing is neither a villain nor a victim but the dashing hero of Lehar's The Merry Widow: Count Danilo, the high-spirited habitue of Maxim...