Word: lehmann
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Dates: during 1930-1939
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...festival's general program had changed little, but the personnel had changed much. In the place of the absent Toscanini reigned Germany's No. 1 conductor, Wilhelm Furtwängler. Notably absent from the roster were such famous operatic names as Lotte Lehmann, Kerstin Thorborg, Rosa Pauly. In place of the grandiose stage productions of Faust and Jedermann, two new dramatic productions were scheduled: Goethe's Egmont and Amphitryon, a play by Germany's 19th-Century, romantic Playwright Bernd Heinrich Wilhelm von Kleist...
...Opera House to witness the most pretentious annual event of London's musical life: the opening of the spring opera season (seven weeks) at Covent Garden. As in past seasons, the roster of singers included several names familiar to audiences at Manhattan's Metropolitan, among them Lotte Lehmann, Kerstin Thorborg and Lauritz Melchior. Season's repertory, as at the Metropolitan, showed a distinct accent on German opera, with two complete cycles of Wagner's Ring des Nibelungen as its main feature. Whipping performances into shape were a staff of internationally famed conductors, including Germany...
...days after a stormy Atlantic crossing, German Opera Star Lotte Lehmann trotted out on the stage of London's Covent Garden * to sing the Marschallin in Der Rosenkavalier. In the middle of the first act and a high note she stopped singing. Shouting in English "I can't go on," she rushed from the stage, fell in a dead faint. From a stage box stepped the Viennese soprano, Hilde Konetzni, due to make her London debut the next night. Dressmakers hastily pinned up Diva Lehmann's costumes to fit Hilde Konetzni's shorter, plumper figure. Whereupon...
...Social Security Tax. The conclusion is that though these taxes are in part designed to curb over-saving they reduce savings in a year only between one-half and three-quarters billions of dollars. What relation is there between these taxes and the current Recession? Mr. Colm and Mr. Lehmann argue that such measures are harmful, if imposed as they were in the first part of an upswing, because by redistributing income they increase consumption too fast, and by taking the surpluses of the wealthy they reduce greatly the amount of capital available for new and speculative investment. This apparent...
Lieder-singing takes a lot more doing than run-of-the-opera-house singing, and great Lieder singers are rare. Even world-famous opera stars come a cropper when they attempt Lieder; only a handful of them (Marcella Sembrich, Ernestine Schumann-Heink, Lotte Lehmann) have ever satisfied the connoisseurs. Most great Lieder singers are specialists. Greatest of them in recent years have been: i) Dr. Ludwig Wüllner, who started life as a professor of philology in Münster, toured the U. S. in 1908-10; 2) Julia Gulp, a Dutch contralto (originally a violinist as well...