Search Details

Word: lehmann (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
Sort By: most recent first (reverse)


Usage:

...concert, earned enough to go to Manhattan where the late Frederick Bristol gave her lessons in return for which she played the accompaniments for all his other pupils. As a soloist at St. Patrick's Cathedral she made enough to go to Europe, where she studied with Lilli Lehmann. She was determined to be a dramatic soprano but when her funds were exhausted she heard of a contralto vacancy at the Cologne Opera, applied for the job, rose rapidly thereafter...

Author: /time Magazine | Title: Music: Memories of a Diva | 1/20/1936 | See Source »

Unable to stand on both feet, Marian Anderson managed to exhibit one of the richest contralto voices that has been heard in the U. S. for many a year. One Viennese critic described her as "a black Lilli Lehmann." That she is not. But she is an exciting, sure-voiced singer who would make any race proud. Her Handel songs instantly revealed a breadth and nobility of style. Her Schubert Ave Maria was not something interpolated to catch popular fancy; it was fervent, even as an organ tone, deeply impressive. Even more moving...

Author: /time Magazine | Title: Music: Colored Contralto | 1/13/1936 | See Source »

...fairness to Miss Ponselle, disgruntled critics would have done well to point to the fact that there have been few successful Carmens. The redoubtable Lilli Lehmann sang the role like a Brünnhilde. Adelina Patti was completely unsuited to it. Most effective impersonation was by fiery Emma Calvé, though purists fussed at her because she took liberties with the music. Farrar's popular Carmen lacked the finesse of many of her other roles. Mary Garden was not at her best in the part. Maria Jeritza failed to stand the test. Those who disliked Ponselle's performance...

Author: /time Magazine | Title: Music: New Carmen | 1/6/1936 | See Source »

...line-up of singers is, on the whole, proud. Among the sopranos there are such experienced performers as Elisabeth Rethberg, Gertrude Kappel, Florence Easton, Lily Pons, Queena Mario, Edith Mason, Editha Fleischer, Rosa Ponselle, who will sing her first Carmen, and Lotte Lehmann who was to open the Philadelphia season in Tosca...

Author: /time Magazine | Title: Music: New Era | 12/23/1935 | See Source »

...Exceptions were the few imported singers with whom Manager Paul Longone bolstered his list. The best of these: Lotte Lehmann, Greta Stückgold, Edith Mason, John Charles Thomas, Ezio Pinza...

Author: /time Magazine | Title: Music: Chicago's Worst | 12/16/1935 | See Source »

Previous | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | Next