Word: leiber
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Dates: during 1920-1929
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...modernizing of Shakespeare is just a fad," Fritz Leiber, veteran Shakespearian star, walking off the stage into his dressing-room at the Arlington Theatre, explained to a CRIMSON representative. "It appeals to those people who are always seeking novelty in a thing, while the company likes it because it breaks up the repertoire...
...Fritz Leiber and a good cast...
...Fritz Leiber did not muff his production of Othello. He played an earnest, straightforward Iago, plainly actuated by the motives of desire and jealousy as expounded in English 2, and with no suggestion of satanic depths to his character, except perhaps at the end where he maintained an admirably unrepentant and sinister smile. To him the Othello of Louis Leon Hall was an excellent foil. Mr. Hall is portly, with a cheerful rotund face, which, well darkened, brought out the whites of his rolling eyes, and gave him the jolly aspect of a Moor who has made up many...
...Brabantio recited his lines as if preparing for an examination, Cassio and Roderigo were fully adequate. The production was was both rich and smooth, with settings at once satisfying and suggestive, and with no long waits between them such as often dull the interest of Shakespeare. Mr. Leiber offers the most painless method of reviewing the important play...
...most significant and hopeful portent resultant from Mr. Leiber's sojourn in the hinterlands of Castle Square, however, has been the reception accorded to his six plays. The box office has reported a steady gain,-a detail of some interest even in Shakespearian circles,-the audiences have been liberal with intelligent and audible approval, and the paying guests are nothing if not heterogeneous. Stiff shirts are more to be seen a social events such as the gold digging activities of a blond girl, and an air of student poverty permeates the atmosphere. From all appearances Shakespeare seems still...