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...Fritz Leiber's production of the, "Merchant of Venice" at the Wilbur theatre last night was chiefly notable for its sympathetic portrayal of Shylock. At times he made the Jew into an almost kindly old father who was more often the object of good natured laughter rather than bitter scorn. The chief emphasis was much more on the Jewish side of the problem rather than the usual Chirstian one. This change which came near to turning, the play into a satire on Christianity was decidedly the most attractive and worth while feature of the performance...

Author: By J. R. A. r., | Title: THE CRIMSON PLAYGOER | 3/13/1930 | See Source »

...spite of Mr. Leiber's fresh and unconventional interpretation of the part of Shylock the rest of the cast did not render sufficient support to keep this production from becoming mediocre. The sets were by far the worst that have been' shown thus far. Bassanio, played by Hart Jenks gave the most satisfactory characterization excepting that of Mr. Leiber. Vera Allen did fairly well as Portia although she gave the "Quality of Mercy" in an attitude which suggested that she was trying to count the seats in the extreme rear of the balcony. Although the role of the Merchant...

Author: By J. R. A. r., | Title: THE CRIMSON PLAYGOER | 3/13/1930 | See Source »

...modernizing of Shakespeare is just a fad," Fritz Leiber, veteran Shakespearian star, walking off the stage into his dressing-room at the Arlington Theatre, explained to a CRIMSON representative. "It appeals to those people who are always seeking novelty in a thing, while the company likes it because it breaks up the repertoire...

Author: NO WRITER ATTRIBUTED | Title: Modernized Ophelia Would Lose Charm of Italian Romance Says Fritz Leiber--Shakespeare Always Modern in Thought | 3/12/1928 | See Source »

...Fritz Leiber did not muff his production of Othello. He played an earnest, straightforward Iago, plainly actuated by the motives of desire and jealousy as expounded in English 2, and with no suggestion of satanic depths to his character, except perhaps at the end where he maintained an admirably unrepentant and sinister smile. To him the Othello of Louis Leon Hall was an excellent foil. Mr. Hall is portly, with a cheerful rotund face, which, well darkened, brought out the whites of his rolling eyes, and gave him the jolly aspect of a Moor who has made up many...

Author: By A. T. R. j., | Title: CRIMSON PLAYGOER | 10/27/1927 | See Source »

...Brabantio recited his lines as if preparing for an examination, Cassio and Roderigo were fully adequate. The production was was both rich and smooth, with settings at once satisfying and suggestive, and with no long waits between them such as often dull the interest of Shakespeare. Mr. Leiber offers the most painless method of reviewing the important play...

Author: By A. T. R. j., | Title: CRIMSON PLAYGOER | 10/27/1927 | See Source »

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