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Considering the fact that Marjorie Lawrence has been singing in opera for only three years and that it was her first attempt at Brünnhilde in German, her performance was one to command high praise. She lacked the grandeur of Frida Leider, the vocal powers of Kirsten Flagstad. But she conducted herself with more confidence and poise than do many of the singers who have had long experience on the Metropolitan stage. Her voice was uneven but at its best it was vibrantly warm, true in its top notes, rich when it was low. More than most...

Author: /time Magazine | Title: Music: Metropolitan's Week | 12/30/1935 | See Source »

...next best. Lilian Nordica from Farmington, Me. sang better than she acted. Olive Fremstad's impersonation was abundant with feeling but often uncontrolled. Johanna Gadski sang so long past her prime that her first excellent performances grew dim in memory. The current outstanding Brünnhildes are Frida Leider and Gertrude Kappel. Both give the rôle its true heroic proportions but their voices are no longer young...

Author: /time Magazine | Title: Music: Heroic Female Figure | 3/11/1935 | See Source »

...Frida Leider, whose absence from the U. S. this winter gave Flagstad her job. Leider figured that with the devalued dollar and the short Metropolitan season she could make more money by remaining in Europe...

Author: /time Magazine | Title: Music: Prima Donna from Perleberg | 2/18/1935 | See Source »

When Frida Leider decided to remain in Europe this winter, Manhattan's Metropolitan Opera Company engaged a strapping Austrian soprano named Anny Konetzni to sing heroic Wagnerian roles. Anny Konetzni had been a swimming champion and a contralto, before she went up in the scale. For her debut performance last week she donned the feathers and breastplate of the Walkure Brünnhilde, proved herself a routine interpreter with a big pleasant voice which she had trouble controlling...

Author: /time Magazine | Title: Music: New Brunnhilde | 1/7/1935 | See Source »

...contestants and the impressions they made on 20 artist-judges gave the occasion its importance. In the judges' chairs sat such worthies as Composer Arnold Schönberg, Conductor Tullio Serafin, Tenors Paul Althouse and Giovanni Martinelli, Sopranos Gertrude Kappel, Greta Stückgold, Frida Leider. Of the 225 contestants eight had been chosen for the finals. There were Harold Haugh, earnest, 28-year-old theological student from Cleveland; William Roveen, 25, who for four years has earned his music lessons by waiting on table in a summer camp; Paul Ward, whose last job was a clerkship...

Author: /time Magazine | Title: Music: Tenor Hunt | 4/9/1934 | See Source »

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