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...novelized" sometimes, of course, but novelization is merely a spin-off, like a doll or a T shirt.) Margaret Mitchell's Gone With the Wind sold a million copies in its first seven months. After the movie appeared, Rhett Butler was irreversibly Clark Gable. Scarlett O'Hara was Vivien Leigh. Mitchell's prose withered to the irrelevance of an architect's blueprint after the house is built. Dashiell Hammett created Sam Spade. Humphrey Bogart became Sam Spade. The idea of a character becomes imprisoned in the body of the incarnator, and even the creator cannot liberate the prisoner. The character...

Author: /time Magazine | Title: Invasion of the Body Snatchers | 4/18/2005 | See Source »

Mather House Co-Master Leigh Hafrey, who served on the team that helped design the space, emphasized the efforts taken to reflect the building’s dependence on exterior light and color in the project...

Author: By Carolyn A. Sheehan, CONTRIBUTING WRITER | Title: Mather Details Plans To Renovate Dining ‘Barracks’ | 2/24/2005 | See Source »

...LEIGH S. ENOCH...

Author: NO WRITER ATTRIBUTED | Title: The Harvard Crimson proudly announces the members of its 132nd Executive Board | 2/2/2005 | See Source »

...intimate film about the lives of a small cast of characters, this simple masterpiece by director Mike Leigh manages to be at once philosophically expansive and physically claustrophobic. Personalities too large for their surroundings compound the effect of poverty on spaciousness—there is merely too little room to accommodate everyone, their needs for privacy and their individual desires. Imelda Staunton gives a tight performance as the title character, a mid-century London mother who tests light bulbs in a factory and keeps house for the wealthy to provide for her children and aged mother. Somehow, she still finds...

Author: NO WRITER ATTRIBUTED | Title: Happening | 12/10/2004 | See Source »

...intimate film about the lives of a small cast of characters, this simple masterpiece by director Mike Leigh manages to be at once philosophically expansive and physically claustrophobic. Personalities too large for their surroundings compound the effect of poverty on spaciousness—there is merely too little room to accommodate everyone, their needs for privacy and their individual desires. Imelda Staunton gives a tight performance as the title character, a mid-century London mother who tests light bulbs in a factory and keeps house for the wealthy to provide for her children and aged mother. Somehow, she still finds...

Author: NO WRITER ATTRIBUTED | Title: Happening | 12/3/2004 | See Source »

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