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Finch is suitably staunch as William, and Chamberlain contributes an amusingly eccentric interpretation of Byron as a pretty narcissist who arranges his curls carefully before entering a ballroom. Margaret Leighton, full of delicate malice, is superb as William's mother. "Your wife is a mass of nothing, Willie," she announces to her son, as if she had just concluded an elementary scientific investigation with a magnifying glass and a tweezer. Not a completely unfair appraisal of the movie, either...

Author: /time Magazine | Title: Cinema: Rack of Lamb | 2/26/1973 | See Source »

Kenneth Ian Leighton Mills is not, in his own words, "an Old Blue member of the Yale inner circle." On the contrary, he is a heavy-shouldered, 6-ft. 4-in. black from Trinidad with a towering Afro hairdo and a penchant for blue jeans. He is also an avowed Marxist. Nonetheless, as a pupil of Oxford's distinguished logician AJ. Ayer, he so impressed the Yale philosophy department that he was hired in 1968 to teach courses on revolution and black liberation. And when Yale confronted the threat of a May Day riot two years ago, he worked...

Author: /time Magazine | Title: Education: The Moonlighter | 3/13/1972 | See Source »

Robert's extramarital indulgences remain cursory until he spots Stella (Susannah York) across a crowded room. A friend (Margaret Leighton, in a see-through dress you'd rather not) makes the introductions, and Robert makes the pass. Stella, interested but uncertain, takes a rain check. Zee watches the whole thing blooming but dismisses Stella as "a soulful slob." Imagine her surprise when Robert not only takes Stella as his mistress but also starts to take Stella seriously...

Author: /time Magazine | Title: Cinema: Freudian Geometry | 2/14/1972 | See Source »

...cannot comprehend their passion or the reason they cannot marry. He is glad enough of their friendship and eager for their approval as "our post-man." But Leo is not strong enough to keep their confidence. Marian's mother (Margaret Leighton) humiliates the boy into revealing the secret, and the messenger of their passion becomes the instrument of their destruction...

Author: /time Magazine | Title: Cinema: Two by Losey | 8/9/1971 | See Source »

...gallantry in a tradition that seems, at last, more correct than moving-a special kind of theater. And what is that exotic yet all too familiar sound in a reader's ear? Somewhere in the mythic South, where white pillars are carved with graffiti by Tennessee Williams, Margaret Leighton is warming up her Old Vic-Southern accent. Stand by, Hester...

Author: /time Magazine | Title: Books: Faultless to a Fault | 6/21/1971 | See Source »

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