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...kind of feeling that words could hardly frame. At Boston's Symphony Hall, Conductor Erich Leinsdorf laid down his baton, raised it again for the funeral march from the Eroica. On a Washington street corner, a blind Negro woman plucked at the strings of her guitar, half-singing, half-weeping a dirge: "He promised never to leave me." And on Commerce Street in Dallas, in an incident little noted at the time but to assume later significance, Jack Ruby silently closed down his strip-tease joint, the Carousel...

Author: /time Magazine | Title: 1960-1973 Revolution | 3/9/1998 | See Source »

...have reached another crossroads in its relatively young history. Its players are certainly capable of vibrant, intense performances: this reviewer heard Bernard Haitnik dispel their complacency only a few years ago in the same Tanglewood Music Shed. Such revelations, however, come far too infrequently. Under Munch, Monteux, and Leinsdorf, such revelations came weekly...

Author: By Daniel Altman, | Title: Pianist Shines in Mediocre BSO Performance | 8/1/1997 | See Source »

...unknown in the U.S. Among the few who were aware of him, he was regarded as a workmanlike German kapellmeister with a suspicious fondness for 20th century music, and certainly an odd choice to command an orchestra whose past conductors had included such doughty maestros as Artur Rodzinski, Erich Leinsdorf and George Szell...

Author: /time Magazine | Title: The Finest Orchestra? (Surprise!) Cleveland | 1/10/1994 | See Source »

...kind of feeling that words could hardly frame. At Boston's Symphony Hall, Conductor Erich Leinsdorf laid down his baton, raised it again for the funeral march from the Eroica. On a Washington street corner, a blind Negro woman plucked at the strings of her guitar, half-singing, half-weeping a dirge: "He promised never to leave...

Author: /time Magazine | Title: THE NATION 1963: Civil Rights, The March's Meaning | 10/5/1983 | See Source »

...home in the acoustically excellent Symphony Hall and a bucolic summer retreat at Tanglewood, in the Berkshires. A11 this would not be worth much, though, if the orchestra did not play so consistently well: under music directors as disparate in taste and talents as Serge Koussevitzky, Charles Munch, Erich Leinsdorf and, now, Seiji Ozawa, 47, it has repeatedly demonstrated its ability to adapt to almost any type of music conductorial style. Boston's full strings, warm winds and elegant brass are always in bloom...

Author: /time Magazine | Title: Music: Which U.S. Orchestras Are Best? | 4/25/1983 | See Source »

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