Word: leinsdorfs
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...Italy acknowledge his influence as the patriarch of the Italian twelve-tone school. Manhattan audiences last week had a first chance to hear one of the patriarch's finest works - the 13-minute Variations for Orchestra as performed by the visiting Boston Symphony under Guest Conductor Erich Leinsdorf...
Brahms: Concerto No. 2 (Sviatoslav Richter, piano; the Chicago Symphony under Erich Leinsdorf; RCA Victor). In this first Richter recording made in the U.S., the great Russian pianist gives a performance as taut as a bent bow. At the end of the session, Richter turned to Conductor Leinsdorf and said: "Please explain to the orchestra that I could do no better." Nor could anyone...
...Conductor Erich Leinsdorf, a Mozart specialist, led the orchestra correctly, but without paprika. Apart from Mezzo Regina Resnik, fine as an old fortuneteller, the only really convincing member of the cast was Walter Slezak, making his Met debut as the pig farmer, Szupán. The son of famed Tenor Leo Slezak, 57-year-old Actor Slezak had wanted to stand on the stage of the Met for as long as he could remember, was delighted when he got his father's old dressing room...
...hurried backstage and climbed into Carelli's discarded Don Curzio costume. After that, the performance went off without a hitch, despite the fact that Carelli had never sung Basilio at the Met (he had recorded it in Vienna). The audience failed to notice the switch, but Conductor Erich Leinsdorf was shaken. "You should have seen his face," said Tenor Carelli afterward. "He nearly fell off his chair...
...musical performance itself, as everybody agreed, was first-rate. Guided by Conductor Erich Leinsdorf, Principals Lisa Delia Casa, Cesare Siepi, Mildred Miller and Regina Resnik sang with the security and style that comes from long experience. Of the two singers making their debut, Finnish Bass-Baritone Kim Borg (as the Count) was adequate, but Swedish Soprano Elisabeth Soederstroem (as Susanna) was a silvery voiced delight. The sets by Designer Oliver (Rashomon, House of Flowers) Messel were superbly elegant: a boudoir whose rose-colored silk panels and drapes glowed with a kind of faded splendor, a formal garden suffused with...