Word: lelouch
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Dates: during 1980-1989
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...rekindles the sparks of adult sexuality on the American screen. And in its capacious reach, the picture means to embrace three decades of European films. For 2 hours 47 minutes, it dances from the skeptical eroticism of mid-'60s Czech films to the leaden sentimentality of French Director Claude Lelouch. At its best, it recalls the anguished intensity of vintage Bergman. At its worst, with its English-speaking actors sporting Middle European accents, it reminds one of De Duva, a parody of Bergman films in which Death (speaking in Borscht Belt Swedish) gets dumped on by a symbolic dove. Sleek...
...Claude Lelouch synthesized every foreigner's view of French love with A Man and a Woman, the Paris-to-Deauville erotic express in which the plangent hearts of Jean-Louis Trintignant and Anouk Aimee beat to an inane, unforgettable score. The picture was a worldwide hit, won a couple of Oscars and provided upscale young couples with an excuse to drive fast and twirl rapturously on the beach. Now Lelouch has reunited his stars for A Man and a Woman: 20 Years Later. Aimee, whose features have calcified chicly, is a movie producer desperate to make a musical version...
...years we're not mad at each other, we'll do a sequel," declared French Director Claude Lelouch, after winning a 1966 Cannes Film Festival award for his classic romance, A Man and a Woman. Well, the time has passed, and they are not mad at each other. Lelouch has just finished A Man and a Woman: 20 Years Later, which is scheduled for release this spring. "Give me some time, I'll call you in six months," Anouk Aimee told Jean-Louis Trintignant at the close of the first film. Somehow she didn't, and neither...