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French Director Claude Lelouch's un abashed romanticism brought A Man and a Woman to within an inch of the border between sentiment and sentimen tality. In Live for Life, he crosses over the line - and back into the land of the Woman's Picture, where men must wander and ladies must weep, alone. The movie's hero is a bored, lecherous French television reporter (Yves Montand) who perpetually roams from his aging wife (Annie Girardot) on journeys to the Congo or the Orient, searching for stories. Though he apparently has his pick of every female...

Author: /time Magazine | Title: Cinema: Live for Life | 12/29/1967 | See Source »

...international outlook, Britain's Joseph Janni, producer of Darling, now looks there rather than to England. "If I go to J. Arthur Rank with a film idea, they consider me a nuisance," he claims. "If I go to MGM, I am welcomed." France's Claude Lelouch (A Man and a Woman) has been signed to a multipicture contract at United Artists, as has Polanski at Paramount. The Iron Curtain countries are a continuing source of new talent, and Hollywood studios have dangled fat contracts before Czechoslovakia's Jan Radar, who made Shop on Main Street. Even...

Author: /time Magazine | Title: Hollywood: The Shock of Freedom in Films | 12/8/1967 | See Source »

...between the people who are making films and those who are seeing them has narrowed." The kids still flip for spoof spectaculars like Goldfinger, but they just don't believe in 40-acre bathrooms and proscenium-size smiles. "The grand image no longer awes the spectator," says Director Claud Lelouch (Un Homme et Une Femme). "He recognizes a smooth but forced décor and performance as unnatural. There is much less hypocrisy in films today...

Author: /time Magazine | Title: Actresses: Birds of a Father | 3/17/1967 | See Source »

...girl friend, Playboy Cover Girl Mary Warren, 23, slips alongside him, puts her head on his shoulder. A butler brings a bowl of hot buttered popcorn and bottles of Pepsi; the lights dim; the movie begins. Last week it was Michelangelo Antonioni's Blow-Up, the week before Claude Lelouch's A Man and a Woman...

Author: /time Magazine | Title: Magazines: Think Clean | 3/3/1967 | See Source »

...movie-struck factory workers cast themselves as Robin Hoods and quit their jobs to play a crimefilled scenario in the streets of Paris. The fun and games end when a real cop tries to arrest them. Four French unknowns turn in poignant performances under the sensitive direction of Claude Lelouch (A Man and A Woman...

Author: /time Magazine | Title: On Broadway: Feb. 17, 1967 | 2/17/1967 | See Source »

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